Page 464 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
P. 464

The  Famen Monastery
     pagoda prior to excavation
     (left);  excavation  photo-
     graph of the first chamber
     of the  Famen Monastery
     crypt  (right).



























                            conveyed to  the  Tang capital of Chang'an  (or, during the  reign  of Empress Wu, to the  city of
                            Luoyang). In the  capital, they were displayed in the  imperial palace — usually in the imperial
                            Buddhist monastery — and eventually returned  to be reinterred  in the  crypt  beneath  the
                            pagoda.  An inventory stele, written in 874 by the  monk Juezhi of the  Xingshan Monastery,
                            gives precise  details (most of which correspond  to specific items contained  in the  deposit)  re-
                            garding the  122 gold  and  silver objects  presented  in 873 and  874 by the  two emperors  Yizong
                            and Xizong.
                                 While a full  report  of the  excavation has yet to be published, this extraordinary array of
                            sumptuous objects  has already provided invaluable evidence  regarding  art  at the  Tang  court,
                            metalworking and  textile techniques  of the  Late Tang dynasty, the  tributary  system, and  diverse
                            aspects  of Buddhism (especially Esoteric Buddhism, which was then dominant  in China). The
                            order  in which the  exhibits are described  here  is designed  to introduce  them  in a narrative
                            fashion.  First is the  massive Buddhist staff  (cat.  160),  made in the  palace  workshops, which was
                            undoubtedly  carried  to the  pagoda  in 874 at the  head  of the  procession  from  the  palace in
                            Chang'an, over a hundred  kilometers away. Next is the  model gilt-bronze  stupa or  pagoda
                            (cat.  161), one  of the  oldest  items in the  entire  deposit  and  one that affords  an excellent  idea
                            of the  architectural  form  of the  original Tang pagoda  standing above the  crypt.  It  contained
                            one  of the  four  fingerbone  relics of the  Buddha and  was itself packed  inside  a painted  stone
                            stupa  in the first chamber  of the  crypt: this stupa  was the first object  seen  when the  doors were
                            opened, and  its battered  edges are vivid testimony to the  number of times that  it had been
                            moved back  and  forth.




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