Page 24 - Christie's Fine Chinese Paintings May 27, 2019 Hong Kong
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PROPERTY FROM THE CHOKAIDO MUSEUM COLLECTION   ᯨᅿਕ⟞⻒㩉ⳉި   (LOTS 923-930)




          Observing the way with clear thoughts,

          One can roam while reclining at leisure





                                       he Chokaido Museum    In 1923 the great Kanto earthquake wrought widespread
                                  Thouses an histor ic       destruction on Tokyo and the surrounding area. Yet Yamamoto’s
                                  collection of classical Chinese   Chokaido collection miraculously survived intact. To ensure
                                  paintings and calligraphy,   that these works were known to future generations, Yamamoto
                                  for med by industrialist   compiled the 12 volume  Catalogue of Painting and Calligraphy
                                  and politician  Yamamoto   from the Chokaido Collection, which documents 1,176 separate
                                  Tejiro (1870-1937) in the   works. Yamamoto also worked with Kinari Toraichi to compile
               2019_0228  -161.tif  early twentieth century.   the expansive 16 volume  Comprehensive Biographies of Eminent
               4*-0   4)"%08
                                  First institutionalised as the   Painters and Calligraphers from the Song, Yuan, Ming and Qing
                                  Chokaido archive in 1963, the   Dynasties.
                                  Chokaido Museum opened to
                                                             Japan has a long and illustrious history of collecting Chinese
                                  the wider public in 1994. It is
                                                             painting and calligraphy.  This history was defined by two
           Yamamoto Teijiro (1870-1937)    located in Yokkaichi township,
                                                             main periods: the classical period, in the 12th-16th century,
                                  in Japan’s Mie prefecture,
                                                             and the modern period, in the late 19th to early 20th century.
          where it serves as a major centre for the appreciation, study and
                                                             Yamamoto’s collection was formed during Japan’s second peak
          research of Chinese painting and calligraphy.
                                                             of Chinese painting and calligraphy collection, in the modern
                                                             period.
          Yamamoto was born in 1870, into a distinguished family
          from Sado county (modern Sado City), in Niigata prefecture,
                                                             During Japan’s classical collecting period of the 12th-16th
          Northern Japan. He was the second son of  Yamamoto
                                                             centuries, Zen monasteries and the  Ashikaga Shogunal
          Katsura, a notable Confucian scholar of Chinese traditional   clan amassed expansive holdings of Chinese paintings and
          medicine.  After a period of study in Germany,  Yamamoto   calligraphy. These monastic and shogunal collectors held Song
          Tejiro held successive appointments as a member of Japan’s   and Yuan dynasty works in the highest esteem. They placed
          House of Representatives and as head of Taiwan Sugar Co.
          Ltd (a forerunner of today’s Mitsui Sugar Co.). During his
          political career, he served as Agriculture and Forestry Minister
          in the cabinets of  Tanaka Giichi (1864-1929) and  Tsuyoshi
          Inukai (1855-1932). In his youth Yamamoto received a solid
          foundation in Sinology from his father, and in Confucian
          learning from Maruyama Meihoku (1818-1892). Following
          this early education, he began to develop an interest in the
          arts of painting and calligraphy. Yamamoto’s collecting career
          began with works by Zen monks and Japanese scholars,
          before turning to Chinese painting and calligraphy.  These
          later acquisitions became Yamamoto’s lifelong passion, and a
          subject of continuous, indepth research. An erudite and learned
          man, Yamamoto was an accomplished Sinologist, capable of
          composing original verses in classical Chinese. As a connoisseur
          of painting and calligraphy, he assembled an extensive collection
          of over 2,000 works. These pieces spanned a millennium of
          Chinese history, dating from the Tang dynasty to the late Qing.
                                                              Catalogue of Painting and Calligraphy from the Chokaido Collection
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