Page 26 - Christie's Fine Chinese Paintings May 27, 2019 Hong Kong
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PROPERTY FROM THE CHOKAIDO MUSEUM COLLECTION   ᯨᅿਕ⟞⻒㩉ⳉި   (LOTS 923-930)
































                                          The Hall of Clear Thought, written by Weng Tonghe


          Yamamoto’s ardent passion for Chinese painting and calligraphy   in his final years he entrusted around sixty percent of the
          is reflected in the comprehensive nature of his collection,   Chokaido collection to his former ministerial aide Inokuma
          encompassing the Song, Yuan, Ming and Qing dynasties. He was   Nobuyuki (1906-1991), later chairman of Mie Kotsu
          a meticulous collector, consulting numerous experts on every   Transportation Co., Ltd. Inokuma originally housed the
          new acquisition. The list of eminent scholars and connoisseurs   collection in his Tokyo residence, but fortuitously moved it in
          who informed his collecting is truly extensive, including: Naito   its entirety to his hometown of Yokkaichi in Mie prefecture
          Torajiro, Nagao Uzan, Luo Zhenyu, Omura Seigai (1868-  before the outbreak of the Second World War. Once again the
          1927), Namekawa  Tanjo (1868-1936), Kuroki Kinto (1866-  collection narrowly escaped destruction, as it had in the great
          1923), and Kawai Minoru (1871-1945). Many of these notable   Kant˛ earthquake of 1923. In 1963 Inokuma personally funded
          scholars and connoisseurs inscribed colophons or title slips for   the establishment of the Chokaido archive, as a center for the
          the Chokaido collection. In addition to acquiring works which   appreciation, research and preservation of the collection. In
          had come to Japan, Yamamoto sourced works directly on his   1986 he formally incorporated the Chokaido collection, again
          travels in China. He visited collectors in Fujian, Hangzhou,   through his personal finances, and served as its first director
          Suzhou, Shanghai, Guangdong, Beijing and Shandong.  A   general. The Chokaido Museum officially opened to the public
          substantial number of the pieces in his collection were acquired   in 1994, realising Yamamoto and Inokuma’s vision of making
          on these visits. In the preface to the Catalogue of Painting and   this collection available for the enjoyment, appreciation and
          Calligraphy from the Chokaido Collection, Naito Torajiro indicates   research of a wider audience.
          the scale and quality of Yamamoto’s collection, stating: “Today
          there are many collectors in this country who feel the allure of   As noted above, a portion of the Chokaido collection was
          Chinese painting and calligraphy, yet the Chokaido collection   sold in its early years. Today, many works with this esteemed
          of Agriculture Minister Yamamoto Tejiro is foremost among   provenance can be found in the collections of major museums
          them all.” The input of so many eminent scholars, artists, and   across the globe, including: the Osaka City Museum, the
          connoisseurs, and the active role  Yamamoto played in the   Fujii  Yurinkan, the  Tokyo National Museum, the Boston
          collecting circles of the Kansai region, deepened the quality   Museum of Fine Arts, and the Cleveland Museum of Art. This
          and expanded the breadth of this exceptional collection.     international audience for the Chokaido collection underscores
                                                             its importance, relevance and value to the field of Chinese
          After Yamamoto left office he faced some financial difficulties,   painting and calligraphy today.
          leading him to sell off a portion of his collection. Fortunately,



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