Page 181 - Decorative Arts, Part II: Far Eastern Ceramics and Paintings, Persian and Indian Rugs and Carpets
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1942.9-608 (C-459)
               Rectangular   Vase  Illustrating Poems  by
               Tao  Qian and   Su  Shi


               Qing dynasty, Kangxi period (1662-1722)
               Porcelain with famille jaune and famille  noire enamels
                 on  the  biscuit, 35.6 x 14 x 14 (14 x 5 Vi  x 5 ¥2)
               Widener Collection

               INSCRIPTION
               Inscribed in standard script on two sides in black enamel with  foot  of  the  vase,  like  the  neck,  is  decorated  with  leaf-
               the poems "Homecoming" by Tao Qian and "Second Ode to the  shaped reserves in the famille jaune palette against a dark
               Red Cliff" by Su Shi                           diaper  ground;  landscapes,  two of which  include  fisher-
                                                              men, are depicted in the reserves.
               TECHNICAL  NOTES
               The  high  foot-ring  has  a  fabric  impression  on  the  base  and  is  Tao Qian's "Homecoming" reads:
               unglazed. The interior of the  foot  is glazed with a matte bluish
               glaze. The molded sides of the vessel are slightly convex. On  the  To get out  of this and  go back home!
               interior  eight  triangular  braces  were  luted  onto  the  walls  and  My fields  and garden will be overgrown with weeds—
               into the  corners, helping to  keep the  base, sides, and  shoulder  I must go back.
               attached. Except for the mouth, the interior is unglazed and has  It was my own doing that made my mind
               some areas of fabric impression. The lip is repaired and entirely  my body's slave,
               repainted in black.                              Why should I go on in melancholy and lonely grief?
                                                                I realize that there's no remedying the past,
               PROVENANCE                                       But I know that there's hope in the  future.
               J. Pierpont  Morgan  [1837-1913], New York.  (Duveen  Brothers,  After  all I have not  gone far on the wrong road,
               New  York  and  London);  sold  1915 to  Peter  A.  B.  Widener,  And I am aware that what I do today is right, yesterday
               Lynnewood  Hall,  Elkins  Park,  Pennsylvania; inheritance  from  wrong. My boat rocks in the gentle breeze,
               Estate of Peter A. B. Widener by gift through power of appoint-
               ment of Joseph E. Widener, Elkins Park, Pennsylvania.  Flap, flap, the wind blows my gown;
                                                                I ask a passerby about the road ahead,
                                                                Grudging the dimness of the light at dawn.
                  HIS  UNUSUAL  VESSEL  ILLUSTRATES  tWO  of  the  most  Then I catch sight of my cottage—
               Tfamous poems in Chinese history, "Homecoming" by  Filled with joy I run.
               Tao  Qian  (365-427)  and  the  "Second  Ode  to  the  Red  The servant boy comes to welcome me
               Cliff" by Su Shi (1036-1101).  The main body of the vase is  My little son waits at the  door.
               decorated  with black calligraphy and painting  applied in  The three paths are almost  obliterated.
               famille  jaune  and  famille  noire  enamels  (yellow,  But pines and chrysanthemums are still here.
               aubergine, black, and two shades of green) on the biscuit.  Leading the children by the hand I enter my house,
                 The painted decoration is applied in a relatively crude,  Where there is a bottle filled  with wine.
               sketchy style. On the four-panel neck a textile- or lacquer-  I draw the bottle to me and pour  myself a cup;
               inspired  diaper  pattern  in  black  on  a  green  ground  Seeing the trees in the courtyard brings joy to my face.
               encloses pictures, painted  in the famille jaune palette, of  I lean on the south window and let my pride  expand,
               scholars  in  landscapes.  Two  of  the  panels  bear  scenes  I consider how easy it is to be content with a little space.
               painted  in  leaf-shaped  reserves;  the  other  reserves  are  Every day I stroll in the garden for pleasure,
               shaped  like  pomegranates.  The  shoulder  is  decorated  There is a gate there, but  it is always shut.
               with  eight  chrysanthemums  in  white,  yellow,  and  Cane in hand I walk and rest,
               aubergine  against  the  darker  textile-inspired  diaper  Occasionally raising my head to gaze into the distance.
               ground. The illustrations on the main body are framed by  The clouds aimlessly rise from  the peaks,
               narrow  black  lines  and  are  painted  against  a  yellow  The birds, weary of flying, know it is time to come home.
               ground.  On  one  side Tao Qian  is shown  relaxing at  his  As the sun's rays grow dim  and disappear from view,
               country  estate, while servants nearby heat wine and pick  I walk around a lonely pine, stroking it.
               chrysanthemums. On the other side Su Shi is shown with  Back home again!
               two  friends and  three  servants  in  a boat  on  the  second  May my friendships be broken off
               excursion  to  the  Red  Cliff,  which  occurred  in  1082. A  and my wanderings come to an end.
               crane flies over  the boat,  as described  in the  poem.  The  The world and I shall have nothing more to do with






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