Page 116 - March 22 2022 Bonhams
P. 116

PROPERTY FROM COLLECTION OF DR. WALLACE AND
           ALICE SMITH, SAN FRANCISCO
           177
           TWO MAGNIFICENT GLAZED POTTERY PRANCING HORSES
           Tang dynasty (618-906)
           Handsomely modeled and realistically rendered, each horse with
           expressive pricked ears, round eyes, flared nostrils, and open mouth
           showing bear teeth, the head lowered slightly to the left while its right
           foreleg raised as if ready to stride forward, the tail docked and neatly
           tied, standing gracefully on a rectangular plank base connecting
           three feet, one horse glazed in rich chestnut color with green and
           cream picked out on the forehead, the other horse glazed in black
           with green strips on the forehead, an opening at the bottom of the
           belly made to reduce weight and for efficient firing.
           23in and 22 1/4in (58.4cm and 56.5cm) high
           $40,000 - 60,000
           唐 栗釉黑釉提腿陶馬兩隻

           Provenance
           Property from collection of Dr. Wallace and Alice Smith, San
           Francisco, in the collection prior to 1971, by descent

           出處:
           舊金山 Wallace and Alice Smith 醫師與夫人舊藏,1971 年以前入
           藏,後由家族傳承

           It is rare to find two horses of this type in such generous size. The
           well-balanced proportion and naturalistic modeling may attribute the
           present examples to early Tang dynasty.

           A pair of very similarly modeled horses of smaller size discovered
           from the tomb of Li Siben (dated by epitaph to A.D. 709) in Yanshi,
           near Luoyang, Henan province, is illustrated in a line drawing in the
           excavation report The Tang Tombs in Yanshi Xingyuan, Beijing, 2001,
           p. 49, pl. 43-1.

           Note: The dating of the two horses is consistent with the results of
           Thermoluminescence test samples 366h62 and 366h3 rendered
           by the Research Laboratory for Archaeology and the History of Art,
           Oxford, 13 December 1984.






















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