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           PROPERTY FROM AN AMERICAN PRIVATE COLLECTION      PROPERTY OF VARIOUS OWNERS
           179                                               180
           A CARVED QINGBAI-GLAZED ‘BOYS’ BOWL               A SANCAI-GLAZED POTTERY CAPARISONED CAMEL
           Song Dynasty                                      Tang dynasty
           Well-potted with rounded sides rising from a slightly tapered foot, the   Standing four-square on a rounded rectangular base with neck and
           interior freely incised and combed with two baby boys playing amidst  head raised in a braying motion, wearing a saddle cloth around the
           two stylized floral scrolls, the translucent light blue glaze covers inside  humps with monster-mask bags between, under a sancai glaze of
           and out, pulling at carved lines to enhance the design, the shallow   ochre, green and straw but with the addition of a most attractive pale
           foot partially glazed showing remains of kiln support from firing.   green glaze to the throat, upper legs and hooves and parts of the
           8in (21cm) diam; 3in (7.6cm) high                 mask saddle bags.
                                                             22 1/2in (57.3cm) high, wood stand
           $2,000 - 3,000
                                                             $7,000 - 10,000
           宋 青白劃花童嬉碗
                                                             唐 三彩陶駱駝
           Provenance
           Purchased at the Brimfield Antique Show, Massachusetts, 1982-  Provenance
           1985                                              Jeffrey Kaplan Collection, Washington D.C., 2000

           出處:                                               出處
           1982-1985 年間購自麻州 Brimfield 古玩展                    華盛頓特區 Jeffrey Kaplan 藏,2000 年

           A very similar Qingbai-glazed bowl of the same pattern is in the   For a sancai-glazed braying camel with plain saddle cloth but
           collection of the Metropolitan Museum of Art, acquired in honor of   similarly posed, see Sotheby’s, Hong Kong, 26 August 2021, lot
           esteemed scholar and curator James C. Y. Watt, accession number   1054; for another with monster-mask saddle bags and the addition
           2011.201.                                         of horizontal supporting boards, see Sotheby’s, Hong Kong, 3
                                                             December 2021, lot 814.

                                                             For a larger comparable example with head raised in an evocative
                                                             bray, with the entire body and legs with a streaky amber brown glaze
                                                             with the tufts of hair on the forelegs and feet left unglazed, and also
                                                             wearing a saddle cloth with applied large packs with monster masks,
                                                             see Bonhams, New York, 21 September 2020, lot 194.

                                                             The result of Oxford Thermoluminescence test C200F33 (8
                                                             November 2000) is consistent with the dating of this lot.



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