Page 74 - Bonhams Olivier Collection Early Chinese Art November 2018
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16
                                             A PAINTED POTTERY FIGURE OF A    Provenance:
                                             COURT LADY                       Bluett & Sons Ltd., London
                                             Tang Dynasty                     Carters Fine Art Ltd., London, 1996
                                             The elegant figure well modelled, standing in   Jean-Yves Ollivier Collection
                                             a swaying pose with hands clasped within the
                                             full sleeves of the loose robes falling in deep   來源:
                                             folds over the upturned slippers, a shawl falling   倫敦古董商Bluett & Sons Ltd.
                                             gently over the shoulder and long robe cut   倫敦古董商Carters Fine Art Ltd.,1996年
                                             square above the chest, the round face framed   歐宗易先生珍藏
                                             by the long hair drawn into an elaborate coiffure
                                             drawn up into a large overhanging chignon,   The elegant modelling of the present figure,
                                             with traces of coloured pigments.    characterised by a full body and thin garments
                                             33.5cm (12in) high.              falling gracefully to her feet, reflects the
                                                                              changes in the ideal of feminine beauty taking
                                             £7,000 - 10,000                  place during the middle of the 8th century. At
                                             CNY63,000 - 89,000               this time, the highest-ranking classes of the
                                                                              Tang dynasty had become more sedentary
                                             唐   陶胎彩繪仕女俑                      and interested in interior pursuits. Tang poets
                                                                              spoke passionately about these new canons
                                                                              of beauty. Xu Feng in his ‘Palace Poem’ wrote
                                                                              that ‘Court ladies in their quarters adorning
                                                                              their faces at dawn, peering out to search for
                                                                              their men who are now late, whiling away the
                                                                              monotonous time listening to the dripping
                                                                              of the water-clock, wearing silk gowns and
                                                                              refreshing their perfume’, see W.Bynner
                                                                              (trans.), Tang Shi San Bai Shou, New York,
                                                                              1920, vol.1, n.221.

                                                                              Compare with a similar painted pottery figure
                                                                              of a lady, Tang dynasty, from the Metropolitan
                                                                              Museum of Art, New York, illustrated by
                                                                              S.Valenstein, A Handbook of Chinese
                                                                              Ceramics, New York, 1975, p.67.

                                                                              A related pottery figure of a court lady was
                                                                              sold at Christie’s New York, 24 March 2011,
                                                                              lot 1278.

                                                                              The result of Oxford Authentication Ltd.
                                                                              thermoluminescence test no.C118j30,
                                                                              dated 1 August 2018, is consistent with
                                                                              the dating of this lot.
                                                                              粉面,細眉,鳳眼,櫻唇,髮髻高聳前傾,
                                                                              垂於雙頰,身著白裙,外罩翠色披肩,雙手
                                                                              垂立,體態豐盈,身微側傾。

                                                                              紐約大都會博物館藏一件類似唐代彩繪
                                                                              侍女俑可資參考,見S.Valenstein著,《A
                                                                              Handbook of Chinese Ceramics(中國陶瓷手
                                                                              冊)》,紐約,1975年,頁67。另可參見佳
                                                                              士得紐約2011年3月24日售出一件彩繪侍女
                                                                              俑,拍品1278號。
                                                                              Oxford Authentication Ltd公司熱釋光檢測結
                                                                              果(2018年8月1日,編號C118j30)顯示年
                                                                              代與本拍品年代一致。
















                                                                              Image after Bluett & Sons Ltd. brochure

                                                  For details of the charges payable in addition to the final Hammer Price of each Lot
           72  |  BONHAMS                         please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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