Page 98 - Sotheby's New York Linyushanren Part IV Auction September 13, 2018

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金 A LARGE PAINTED CIZHOU SLENDER 金 磁州窯白地黑彩花葉紋梅瓶
MEIPING
磁 JIN DYNASTY (1115-1234)
州 The elongated body is fuidly painted in brown on a white slip 來源
窯 and under a clear glaze with a broad band of abstract foral scroll 井上オリエンタルアート，東京。
白 between a band of upright petals below and further foliate 此類高挑纖長的梅瓶有兩種形制：其一如同本拍品之小唇口，其二
decoration on the shoulder.
地 則有較長之頸，口部亦較寬。第一類如同本拍品之梅瓶通常帶蕨狀
鉄 18¿ in. (45.5 cm.) high, Japanese wood box 葉紋。蓑豐與蔣人和在《Freedom of Clay and Brush through
Seven Centuries in Northern China: Tz’u-chou Type Wares,
絵 $6,000-8,000 £4,700-6,200 960-1600 A.D.》，印第安納波利斯，1980年，160頁中探討磁州梅
草 €5,200-6,900 瓶的兩種器形，並引述第一種唇口器形可能產於禹縣。納爾遜-阿特
金斯美術館藏近似一例，載於前述著作161頁。
葉
PROVENANCE
文 Inouye Oriental Art, Tokyo.
梅 Tall, narrow meiping of similar decoration were made in two different
瓶 shapes. The frst shape, like the present meiping, has a small mouth
with a lipped rim, and the other shape has a tall mouth with a wider,
ovoid rim. Meiping of the frst shape are also often decorated like
the present meiping, with bands of abstract frond-like leaves. Yutaka
Mino and Katherine R. Tsiang discuss the two types in Freedom of
Clay and Brush through Seven Centuries in Northern China: Tz’u-chou
Type Wares, 960-1600 A.D., Indianapolis, 1980, p. 160, and cite
that the frst type was likely make in Yuxian. A similar meiping in
the William Rockhill Nelson Gallery-Atkins Museum of Fine Arts,
Kansas City, is illustrated in ibid., p. 161.

96 Masterpieces of Cizhou Ware: The Linyushanren Collection, Part IV 磁州窯集珍：古韻天成-臨宇山人珍藏（四）