Page 78 - Bonhams Fine Chinese Ceramics and Works of Art, Nov 2014 Hong Kong
P. 78

THE KAISENDO MUSEUM

The Kaisendo Museum is a situated in Kaminoyama           Lacquerware from the collection was illustrated in the
city in Yamagata prefecture, Japan. It was founded in     important publication 美 術 撰 集〈 第 8 卷巻 〉 彫 漆 (1974
1951 by Mr Kenzo Hasegawa (1886-1957), the owner          年 ) by 日本の文樣研究会 , Hirokazu Arakawa, Choshitsu,
of a large factory manufacturing raw silk. Prior to the   Bijutsu Zenshu (Carved Lacquer), vol.8, Kyoto, 1974, and
outbreak of World War Two, Mr Hasegawa focused on         variously exhibited in the Tokyo National Museum, Oriental
collecting Japanese swords and indeed to this day the     Lacquer Arts, 1977; the Osaka Municipal Art Museum,
museum boasts a fine collection of Japanese swords and    Japan, Ming and Qing Ceramics and Works of Art, 1980;
sword fittings. The establishment of a private museum     and the Tokugawa Art Museum and Nezu Institute of Fine
of Chinese and Japanese ceramics by his brother, the      Arts, Choshitsu (Carved Lacquer), Tokyo, 1984.
renowned collector Mr Shouichi Inoue, combined with
the advice of his nephew, Mr Shouhei Inoue, inspired Mr   The lacquerware collection, carefully preserved by the
Hasegawa to form his own museum in 1951 and to turn       Hasegawa family for over 60 years, encompasses
his attention to Chinese lacquer.                         pieces spanning 500 years from the Yuan to the Qing
                                                          dynasty, and is displayed in two galleries providing the
With a connoisseur’s eye and impeccable taste, Mr         visitor with an exceptional opportunity to view Chinese
Hasegawa acquired extremely rare lacquerware mostly       lacquer at its finest.
between 1948 and 1950. Important advice was given by
Mr Takushin Kushi, a scholar of Asian art and Mr Hirota   It is perhaps a further testament to the importance of the
Fukkosai, the founder of Kochukyo. This expert advice is  Kaisendo museum collection that arguably the greatest
evident in the pre-eminence and the rarity of the carved  collector of Chinese art, Sir Percival David, made special
lacquerware pieces in the museum collection.              arrangements to view the collection on what was
                                                          probably his very last visit to Japan.
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