Page 177 - C.T. Loo A paper about his impact and activities in the Chinese art Market
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                       the Chinese Government vol. 4 1936, 120) The Chinese government’s nationalistic


                       agenda was noticed by David Percival, British collector and the principal organizer of the

                       exhibition. He observed that the Chinese exhibition “aspires to illustrate the culture of the


                       oldest surviving civilization in the world from the dawn of its history to the year 1800…”

                       (Percival 1935,171). 369


                           The archaeological undertakings in China and China’s cultural diplomacy had a

                       profound impact on Loo’s art dealing. The arrival of newly found Chinese antiquities in


                       the American art market offered Loo new profit-making opportunities because a large

                       quantity of antiquities could be bought in China at a comparatively low price, and after

                                                                                     370
                       promotion, they could be sold in America at a much higher price.  Newly found

                       archaeological objects also expanded the range and scope of his business. Between the

                       1920s and the 1940s Loo acquired and sold a large number of objects reportedly


                       unearthed from important archaeological sites. Alfred Salmony noted that Loo’s 1940

                       Exhibition of Chinese Stone Sculptures included early stone sculptures from Anyang, “A


                       few years ago, no one would have expected to be able to start off with Shang” (Salmony

                       1940b, 9).


                           Time also served as an important organizing principle in Loo’s business. The

                       construction of a coherent historical narrative was crucial to the presentation and


                       369
                          Basil Gray, one of the participants of the exhibition, however, was disappointed by the
                       fact that the exhibition was turned into an international relation gambit. He observed that
                       the original aim of revealing to the world for the first time the treasures of the imperial
                       collections was overtaken by the political aim of advancing cultural relations with the
                       Chinese Republic (Gray 1985-6, 31).
                       370
                          Loo made profit out of the difference between the price of an object he paid for in
                       China and the price at which he sold the object in the American market, or the difference
                       between prices that changed over time in the American market.
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