Page 347 - 2019 September 13th Christie's New York Important Chinese Works of Art
P. 347

1113
              A RARE DEHUA STANDING FIGURE OF BUDAI
              17TH CENTURY
              The laughing fgure is modeled with the head turned slightly to
              the proper left, the robes falling open to reveal a rounded belly,
              and the right hand holding a peach. The fgure is shown standing
              on a knotted treasure sack.
              11º in. (28.6 cm.) high
              $20,000-30,000

              PROVENANCE
              Vilhelm Meyer (1878-1935) Collection, Denmark.
              Private collection, Denmark.
              It is very rare to fnd a fgure of Budai standing on his treasure
              sack produced at the Dehua kilns. Dehua standing fgures are
              more commonly found in the form of the Buddha, the monk
              Damo, or Guanyin, while fgures of Budai are more typically
              depicted in a seated position. The present fgure can be closely
              compared to other standing fgures of the seventeenth century
              in the modeling of the folds of the robe, the delicacy of the
              fngers (in this instance, holding a peach) and the rounded form
              of the base, often modeled as waves but in this instance formed
              as the treasure sack, an attribute of Budai.

              A Dehua standing Budai fgure from the Koger Collection in
              The John and Mable Ringling Museum of Art, Florida, was
              included in the China Institute exhibition, Blanc de Chine: Divine
              Images in Porcelain, and illustrated by J. Ayers in the catalogue,
              New York, 2002, p. 88, no. 39. Another example, dated early to
              mid-seventeenth century, but slightly smaller than the present
              fgure, is illustrated by R. Blumenfeld, Blanc de Chine: The
              Great Porcelain of Dehua, Berkeley/Toronto, 2002, p. 72, fg. C.
              Another very unusual fgure of a standing Budai, modeled with
              his arms raised above his head and standing on what appears
              to be a cloud-form base, dated 1700-1750, is illustrated by P. J.
              Donnelly, Blanc de Chine: The Porcelain of Tehua in Fukien, New
              York/Washington, p. 161 and pl. 88C.
              A seated fgure of Budai, with similar expression and open robe,
              dated to the seventeenth century, is illustrated by M. Medley,
              The World’s Great Collections: Oriental Ceramics, Vol. 6, The
              Percival David Foundation of Chinese Art, London, Tokyo/New
              York/San Francisco, 1982, no. 201, ref. 497.
              十七世紀   德化布袋和尚立像
























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