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                   Self-identical  (sama)  is that dharma, and  Yoshimochi created  his own ink paintings,  Chan (J: Zen) Buddhism, which survives
                     nothing  is therein at variance   several of which survive in public and pri-  vigorously ttfihis day. Many different
                     (vishama)....                     vate collections, including some outside  types of portraits of Daruma exist, all
                   Those  who by my  form did see me,  Japan. Yoshimochi's paintings, like the  imaginary representations  of the  patriarch
                   And  those who followed  me  by voice  works of most amateurs, vary in quality.  based on various narrative accounts.  Here
                   Wrong  the  efforts  they engage in,    Stylistically, this Hotei painting fol-  Daruma is represented  in half-length, cast-
                   Me  those people will not see       lows both  the Chinese  and Japanese prece-  ing a concentrated  stare with bulging eyes:
                   ... Everything has potential Dharma,  dents of the fourteenth century.  The  He is clad as a monk, in a plain cassock,
                     even as a dream, a faulty  vision,  dynamic brushstrokes that make up Ho-  and his arms are folded in front  of him.
                     a bubble or a shadow;             tei's sleeves and cane are reminiscent of  The  long fingernail of the  left  thumb
                   As  dew  drops  or a lightning  flash.  the  style associated  with Yintuoluo (c.  marks Daruma  as an ascetic; the  earring
                   So should one view what is conditioned.  1350$), an Indian (or Central Asian) painter  on the  left  earlobe marks him as a princely
                                                       active in China.  Hotei's head  shape, his  personage.  At the lower right are  stamped
                       In both public and private life, Yoshi-
                   mochi showed enthusiasm for the  Zen  grinning face, and large ear recall another  a two-character relief seal, Bokkei, and a
                   school, and he himself was tonsured in  painting of Hotei by Mokuan  Reien (active  circular  relief seal, Saiyo, below it. They
                   1423. As the  Ashikaga shogun he fre-  13405), a Japanese painter-monk and pil-  are the  seals of the  artist of the  Soga clan,
                   quently issued economic  policy directives  grim in China.         YS   Bokkei Saiyo, otherwise known as Hyóbu
                   favorable to the  Zen  monasteries.  His cul-                           Bokkei.
                   tural activities in Kyoto, especially after  81 Daruma  (S:  Bodhidharma)  The  written history of Zen Buddhism
                   his father, Yoshimitsu, died in  1408,  were  Bokkei Saiyo (fl. 1452-1473)  starts with the pseudobiography of
                   closely linked to notable  scholar-monks, in-  hanging scroll; ink on paper  Daruma, the founding patriarch  of the
                   cluding Gyokuen  Bonpô  (cat. 84). Yoshi-  110.0x58.3 (431/4x23)        school, which informs us that the  teaching
                   mochi often sponsored poetry gatherings  Muromachi period, no later than 1465  he transmitted to China was fundamen-
                   for  scholarly monks talented  in  Chinese-  Shinjuan, Kyoto            tally different from that  which had been
                   style poetry. The  seventeenth-century  Important  Cultural Property    taught and practiced by other traditioinal
                   biography of painters, Honchd  gashi,                                   Buddhists. Daruma  taught that the Bud-
                    mentions that Yoshimochi learned paint-  Bodhidharma (J: Daruma) was an Indian  dha's doctrine  should be transmitted  from
                   ing from  the  artist-monk Minchó (1351-  prince  of the  early sixth century AD who  mind to mind, by directly pointing at the
                   1431), and Minchó's biography in the  same  went to south  China to spread the  practice  heart of a man so that he would see his na-
                   source mentions the painter's close con-  of meditation. At first unsuccessful, he  ture and attain his own  Buddhahood.
                   tact with Yoshimochi. There is, however,  crossed the  Yangzi River and went north  The history of Daruma portraiture
                   little visual evidence that Minchó directly  to Mount  Song, where he meditated for  dates as early as the  eighth  century  AD in
                   influenced  Yoshimochi's painting. In the  nine years facing the cave wall at  the  China. As the commemorative portrait of
                   close-knit cultural sphere  of Kyoto Zen  Shaolin monastery. Daruma's teaching  the founding patriarch of the Zen  school,
                   temples,  Yoshimochi had opportunities  to  subsequently  evolved into a forceful reli-  a Daruma portrait would be displayed by
                   see Chinese paintings. A talented ama-  gious movement, which became known as  the Zen adepts on the  fifth  day of October
                   teur, like Winston  Churchill  at his  easel,                           for the  memorial ceremony honoring his



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