Page 164 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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                   exposure to the art he had seen in China,  A man under a pine tree, pointing  part of China). In Shandong Zhuqi saw
                   by studying the earlier Chinese master-  with his outstretched  right arm, shouts at  nothing but white rocks. Zhuqi went back
                   pieces that were already in Japan. This  a pair of rocklike forms on the  ground.  to Shandong accompanied  by Zhuping,
                   sketch is one  of six original ink sketches  The  subject is Huang Zhuping, a legend-  who, by shouting at rocks, turned  thou-
                   extant today. It is signed Sesshü, to the  left  ary Daoist  of the  Han  Dynasty, who is  sands of them into sheep.
                   of a pine tree trunk. The  name Liang Kai  turning rocks into sheep. The  story of the  At the lower left  of the  painting is a
                   is brushed outside the  frame at the lower  sage is from  an early Chinese  collection of  white sheep just transformed, and next to
                   right, indicating that the picture is a copy  tales of eighty-four Daoist  saints and sages  it another with its legs emerging from a
                   based on a Chinese work, now lost, by  (Shenxian  zhuari), compiled by the  Daoist  dark rock. Dynamic brushstrokes define
                   Liang Kai (fl. c. 1195-^  1224), an accom-  scholar and alchemist Ge Hong (known  the pine tree trunk, branches, terrain and,
                   plished painter of the conservative Chi-  also as Bao Puzi), who was active 326-334  most expressively, Huang's costume.  The
                   nese Imperial Academy of the  Song  AD. Huang Zhuping, at age fifteen,  was  kinesthetic quality of the brushstrokes in
                   dynasty and a highly expressive ink painter herding sheep when he met a Daoist mas-  this work conveys something of both Ses-
                   as well. Six other related sketches are now  ter who took him to Mount Jinhua in Zhe-  shù's own artistic style and the spontane-
                   lost, but are known through  seventeenth-  jiang Province. After  more than  forty  ity associated with Liang Kai's ink
                   century copies contained  in a single  years, Zhuping's older brother Zhuqi  paintings.                YS
                   handscroll by Kano Tsunenobu  (1636-  came looking for him, and asked where his
                   1713), now in the  Tokyo National  Museum.  sheep were. Zhuping replied that they
                                                      were in Shandong Province (northeastern


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