Page 384 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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                  the phoenix and paulownia originated in  301 Kataginu                   and mallet on brown-dyed hemp. Above
                  China, the former signifying the  benevo-  stenciled paste-resist dyeing on hemp  the radish on the back is the dandelion en-
                  lent ruler and the well-ordered realm, the  i. 97.8(38^)                closed in a  flattened  lozenge,  a crest often
                  latter serving as the bird's nesting place  W.  124.2 (48 /z)           found  on Kyôgen costumes.  Cat.  301 has a
                                                                   l
                  and food. The  motif was favored in Japan  Edo period, icth century     design of black cart wheels entwined  with
                  from the Heian period and  sometimes                                    morning-glories against a reserved back-
                  used  for No kariginu.          KS      Eisei Bunko, Tokyo              ground of white hemp.
                                                                                              This kataginu is entered in an  1840
                                                      The  kataginu, literally "shoulder robe/' is a
                   300  Kataginu                      sleeveless jacket used in Kyôgen, the  record passed down through the  Hoso-
                                                                                                                narabini
                                                                                                       Onnd
                                                                                                                       kodd-
                                                                                          kawa family, the
                                                                                                            ishd
                      paste-resist dyeing on  hemp    comic interlude performed between  No  guchd (Book of No Costume  and  Stage
                      1. 82.0 (32)                    plays. In contrast to the subtle and austere  Properties), which establishes a date be-
                       w.  136.4 (531/ 4)             No, which  deals with high and  mostly  fore which it must have been made.  KS
                      Edo period, icth century        tragic subjects, Kyogen portrays manners
                                                      and concerns  of the commoners  with
                      Eisei Bunko, Tokyo              broad humor. While Kyôgen costumes  are
                                                      not richly ornate like those of No, they are
                                                       embellished  with bold  and freely drawn
                                                       designs, often of unusual motifs.
                                                          On  cat. 300, reserved in white by
                                                       means of resist paste, are a large radish


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