Page 388 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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designs of flowers or hanaikusa ("flower
                                                                                          battles"); in each case, the design on  the
                                                                                          front  differs  from  that on the  reverse. All
                                                                                          four would have been used  for young fe-
                                                                                          male roles; the  fans with the  hanaikusa de-
                                                                                          sign are representative of the  type  used
                                                                                          by the character  who would wear the
                                                                                          Koomote mask (cats.  318, 319).  KS
                                                                                          312  Taiko  drum
                                                                                             maki-e lacquer on  wood
                                                                                             diam. 35.5 (14)
                                                                                             Edo period, 1745
                                                                                             Eisei Bunko, Tokyo


                                                                                          313  Taiko  drum
                                                                                             maki-e lacquer on wood
                                                                                             diam. 34.5 (13 5/s)
                                                                                             Edo period, iSth-igth  century
                                                                                             Eisei Bunko, Tokyo

                                                                                          The  musical instruments used in No per-
                                                                                          formance include the  nokan, or No flute,
                                                                                          and three types of drums: the  kotsuzumi,
                                                                                          the dtsuzumi, and the  taiko. The  taiko is
                                                                                          placed in a stand on the floor and  is beaten
                                                                                          with a pair of sticks. The  body, hollowed
                                                                                          out of hardwood and typically decorated
                                                                                          with maki-e lacquer, has leather drum-
                                                                                          heads on both  ends.
                                                                                              Cat.  312, said to have been  copied
                                                                                          from  a taiko called  Yügao, is  decorated
                                                                                          with large peonies  in gold and silver
                                                                                          maki-e. An attached  document  states  that
                                                                                          Konparu Sóemon had  it made in  1745.  The
                                                                                          other  taiko, cat.  313, is decorated  with scat-
                                                                                          tered  fans in gold and  silver maki-e on
                                                                                          black lacquer. The  designs on the  fans in-
                                                                                          clude such plants as moonflowers  and
                                                                                          chrysanthemums as well as Mount  Fuji. KS

                                                                                          314  Kotsuzumi drum
                                                                                              maki-e lacquer  on  wood
                                                                                              diam.  11.8 (45/8); 1. 29 (ii3/s)
                                                                                              Edo period, iSth-igth century
                                                                                              Eisei Bunko, Tokyo
                    304              305               306                307
                                                                                          315  Kotsuzumi  drum
                                                                                             maki-e lacquer on  wood
                                                                                             diam. lo.o (37/3); 1. 25.0 (97/8)
                  310  Chùkei  fan                    The  chukei, a type of folding fan, was an
                      ink, color, and  gold leaf on  paper;  important accessory in both  No and  Edo period, i8th century
                      bamboo,  lacquer                Kyógen performances.  Several types are  Storage box
                      1.32.8(127/8)                   differentiated,  determined  by the  color of  maki-e lacquer,  silver and  silk on  wood
                      Edo period, igth century        the frame, the  color of the paper, and the  24.0 x 29.0 x 23.4 (9 Vz x 113/8 x 9 vy
                                                      designs depicted,  and  each  is particular to  Edo period, iSth-igth  century
                      Eisei Bunko, Tokyo
                                                      a certain type of role. Typically,  though,  Eisei Bunko, Tokyo
                                                      the  chùkei has fifteen  ribs, the overall
                  311  Chükeifan                      length  is about  33 centimeters  (13 inches),  The  kotsuzumi is a percussion  instrument
                     ink, color, and  gold leaf on  paper;  and the two end ribs are carved in three  shaped  much  like an hourglass, with a thin
                     bamboo,  lacquer                 places with openwork designs.       middle and two flaring ends.  Drumheads
                     1.32.8(127/8)                        The  four chùkei  here are of the  type  of leather mounted  on iron rings are fitted
                     Edo period, igth  century        known as katsuradgi,  or "wig fans/' mean-  on either  end with the two  drumheads
                                                      ing that  they, like the  wigs, were used for
                      Eisei Bunko, Tokyo              female roles. All have black ribs and  are  connected  by hemp cords.  It is held  with
                                                      painted  on gold-leafed paper with  elegant



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