Page 94 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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abstracted.  Although there is no direct re-
                  lationship, this quality recalls the portrait
                  of Minamoto Yoritomo (cat. i).  SY

                  32  Kuroda  Nagamasa
                     hanging scroll; ink and color on paper
                     120.0 X 59.5 (49  5/8 X 23 3/8)
                     Edo period, no later than 1624
                     Fukuoka Art Museum,
                     Fukuoka Prefecture
                     Important Cultural Property

                  Kuroda Nagamasa (1568-1623), a promi-
                  nent daimyo, was the  ruler of a large do-
                  main at Fukuoka in Chikuzen  Province
                  (part of present-day Fukuoka Province).
                  He  first  served Toyotomi Hideyoshi (1537-
                  1598) and then Tokugawa leyasu (1543-
                  1616). Nagamasa fought in many battles,
                  including the  1583 Battle of Shizugatake,
                  the  1584 battles of Komaki and Nagakute,
                  the  Korean expeditions of 1592 and  1597,
                  and the  1600 Battle of Sekigahara (cat.
                  104). He was at one time an  enthusiastic
                  supporter of Christianity, and used a seal
                  written in the roman  alphabet.
                      Nagamasa is shown mounted  on a
                  dappled horse wearing an Ichinotani hel-
                  met and, under a jinbaori jacket, a set of
                  black armor (cat. 162). He  is prepared  to go
                  to the  front, holding a saihai (com-
                  mander's baton) in his right hand and  the
                  reins of the horse in his left. The  upper
                  half of the  painting is filled with two in-
                  scriptions. The  shorter one, in large char-
                  acters at the  left, contains a poem.  It was
                  requested  by Nagamasa's vassal Kuroda
                  Kazunari and was written by the  Zen
                  scholar-monk Kôgetsu Sôgan (1574-1643);
                  two of Kogetsu's seals follow his signature.
                  At the  right  is a long epitaph  in smaller
                  characters dated to 1624, written by Hay-
                  ashi Razan (1583-1657), a distinguished
                  Confucian  scholar.

                  Kogetsu's poem, read from  left  to right,
                  follows:
                  With armor and arms the  battlefield  round
                  No  one ever argues the  merit of  a sweating
                    horse.
                  If  overt power is likened to a plant
                  It is the plum blossom, that which  first
                    tastes the  winds of  spring.  SY


                  33  Sakakibara  Yasumasa
                     hanging scroll; ink and color on silk.
                     112.0 x 46.0 (44 x iS^s)
                     Momoyama period, early ryth century
                     Agency for Cultural Affairs, Tokyo
                     Important Cultural Property
                  Sakakibara Yasumasa (1548-1606)  was a dis-
                  tinguished high-ranking warrior who, with
                  Honda Tadakatsu (1548-1610), was counted
                  among Tokugawa leyasu's (1543-1616) four
                  most devoted retainers, his Shitennd  (Four
                  Deva  Kings). Since the time of his  father,
                  Nagamasa, the  family had served leyasu.
                                                        32

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