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         A VERY RARE INSCRIBED BLUE AND AMBER-             唐   藍釉三彩仕女坐俑
         GLAZED POTTERY FIGURE OF A SEATED LADY            器底書「光家之女子」款。
         TANG DYNASTY (618-907)
         The figure is modelled seated demurely holding the trailing sash   來源
         of her blue and amber-striped, high-waisted dress tied at the chest.   1998 年 3 月 13 日購於香港
         The dress is decorated in relief with vertical rows of florets. Her
         face is modelled with delicate features and her hair dressed in a   展覽
         knotted loop above each ear. She is seated on an amber-glazed   Ben Janssens Oriental Art, 倫敦,2004 年,頁 48-51
         waisted seat decorated with two rows of lappets. The underside of
         the figure is inscribed to the base in black ink Guang jia zhi nu zi ‘,   此女俑神態端莊華貴,雍容雅度,底部署款,異常珍罕。上施名貴鈷藍
         which may be translated as ‘daughter of the Guang family’.  釉,可知原物主應出自貴冑之家。有一件相同的出版例子,坐俑中女子
         11 Æ in. (30 cm.) high, box                       同樣端坐蓮瓣墩上,裙子以藍黃釉配合華麗裝飾花紋,1976 年展覽於大
                                                           阪市立美術館《隋唐の美術》,見圖錄圖版 200 號。根津美術館亦藏一
         HK$1,000,000-1,500,000        US$130,000-190,000  件相似女俑,藍黃釉裙子與本拍品大致相同,惟髮型略異,見 2009 年
                                                           日本出版《根津美術館百華撰》,圖版 67 號(圖一)。
         PROVENANCE
         Acquired in Hong Kong, 13 March 1998              另外亦可參考一件較大的黃綠釉例子(40.6 公分),風格與本拍品相近,
                                                           為 A. Alfred Taubman 舊藏,2016 年 3 月 16 日於紐約蘇富比拍賣,
         EXHIBITED :
         Ben Janssens Oriental Art, London, 2004, Catalogue, pp. 48-51  拍品 272。
         This particularly charming figure is rare in both bearing an inscription   此器經牛津熱釋光測年法檢測(測試編號 C103a47;2003 年 1 月 24 日),
         and being applied with the precious cobalt-blue glaze. The inscription   證實與本圖錄之定年符合。
         indicates that the figure was intended for a female member of the
         Guang Family, and the application of the expensive blue glaze suggests
         that the Guang Family was one of wealth and privilege. The current
         figure combines an elaborately decorated dress with hair simply
         bunched on either side of the head in a style more usually associated
         with younger girls. This gives a rather endearing impression of a young
         girl in her best clothes. Margaret Medley noted in her introduction to
         the Exhibition of Tang Sancai Pottery Selected from the Collection of
         Alan and Simone Hartman that a similarly dressed standing figure with
         hair in side bunches was that of a ‘young adolescent girl’.
         A nearly identical figure, seated with the same hair style and blue
         and amber-glazed dress, was exhibited at Sui to Tang Dynasty Art,
         Osaka City Museum, 1976, Catalogue no. 200. Another very similar
         female seated figure, with slightly different hair style but wearing an
         identical dress, is in the Nezu Museum of Art and illustrated in Selected
         Masterpieces from the Nezu Museum Collection, Japan, 2009, pl. 67
         (fig. 1). Compare also to a larger sancai figure of a lady (40.6 cm.),
         glazed mainly in yellow and green, which is depicted seated on a rattan
         stool holding a flower in one hand, formerly in the A. Alfred Taubman
         Collection and sold at Sotheby’s New York, 16 March 2016, lot 272.
         The result of Oxford Authentication Ltd. thermoluminescence test no.
         C103a47 (24 January 2003) is consistent with the dating of this lot.




















                                                                      fig. 1  Collection of the Nezu Museum
                                                                            圖一  根津美術館藏品


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