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BEYOND COMPARE: A Thousand Years of the Literati Aesthetic










            PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

            8007
            AN IMPORTANT AND VERY RARE LONGQUAN                     ی҂   Ꮂݰ४ڡཊॷ࿽ଧ
            CELADON MALLET-SHAPED ‘KINUTA’ VASE
                                                                    ଧᆵɹdڗ᎕နᄱdұٲdٜഇ໖d૵ਸ਼ԑfʫ̮݄४ڡཊdཊ͒ێ
            SOUTHERN SONG DYNASTY (1127–1279)
                                                                    ᆗνইdܑฆ९ଋf
            The vase is superbly potted with a mallet-shaped body, with sides tapering
            slightly from the canted shoulder towards the foot. The tall neck is
                                                                    Ը๕
            surmounted by a widely flared mouth with lipped rim. The vase is covered
                                                                    ᅃࢥᖴ໶඲൭࢕ૄޜᔛ
            overall with an even glaze of soft bluish-green tone.
            9 ¿ in. (23.4 cm.) high                                 ʃ܃ڦ˃€         ޜᔛ
                                                                    బ͑̆ዓޜᔛ€Չ֊˃މू͞ѽ
            Estimate on Request
                                                                    ू͞ѽӲᐌ€         €й໮ඔॽޜᔛ
            Пᄆܙ༔
                                                                    ࡐ౱ᘽబˢd     ϋ    ˜   ˚dשۜ    ໮
            PROVENANCE                                              ࢝ᚎ
            The Hachisuka Family Collection (Daimyo of Tokushima Domain)  ؇ԯɧ൳ֳ͉dू͞ඔॽ࢝‘d     ϋ   ˜    ˚   ˜ ˚
            Collection of Shinobu Komuro (1839-1898)
                                                                    ࠾࢝ʚߕ਷۞Нɽኪᒄдਔᖵஔ௹ي᎜
            Collection of Fuyuki Tominaga (brother-in-law of Baron Masuda
                                                                    ࠾࢝ʚٺ̋ࡩᖵஔ௹ي᎜
            Takashi)
            Collection of Baron Masuda Takashi (1848-1938), tea-master name
                                                                    ഹ፽
            Masuda Donno
                                                                    ڗԋ௅㛀ဧᇜd˰ޢௗှΌණ     j҂‘d؇ԯd     ϋd
            Sold at Sotheby’s London, 8 November 2006, lot 54
                                                                    ྡو     ໮
            EXHIBITED
                                                                    ˚͉䌂㥽อၲٟdू͞ඔॽ࢝‘d؇ԯd     ϋdྡ፽ྡو    ໮
            Tokyo Mitsukoshi Department Store, Masuda Donno ten (The Masuda
            Donno Collection Exhibition), 24 May-5 June 1983        ͣ੠Ӹඪd”ඔॽႎණۜ͟টা•dڄஔอᆓ‘d؇ԯd     ϋ
            On loan: Cambridge, the Arthur M. Sackler Museum, Harvard Art   ˜໮dࠫ
            Museums
            On loan: Chicago, the Art Institute of Chicago
            LITERATURE
            Gakuji Hasebe, ed., Sekai toji zenshu (Ceramic Art of the World), vol. 12:
            Sung Dynasty, Tokyo, 1977, pl. 207
            Nihon Keizai Shinbunsha, Masuda Donno ten (The Masuda Donno Collection
            Exhibition), Tokyo, 1983, no. 34
            Shirasaki Hideo, ‘Donno Shushuhin Yuraiki’ (Collecting History of
            Masuda Donno), Geijutsu Shincho (Art New Wave Magazine), Tokyo, 1983
            May, p. 59





























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