Page 91 - Beyond Compare Christie's Hong Kong RU WARE .pdf

LITERATURE
Colin Mackenzie, The Song Dynasty: The World’s First Renaissance?, Kohara Hironobu, Kyouchujouhitsu, Gosekihekifu-zukan of Shoron
Orientations, Hong Kong, September/October 2018 issue, p.97 no.20 from the series Showa mizunoeinu sekiheki-kinen Soshoku Ni Kansuru
Shogashiryouten (Document materials on Su Shi), Shoronkenkyukai, Osaka,
Wan Junchao, Tales From the Art World, Zhejiang People’s Fine Arts 1982, p. 299
Publishing House, 2017, pp. 111-117
James Cahill, An Index of Early Chinese Painters and Paintings: T’ang, Sung,
Peter C. Sturman, The Poetic Ideas Scroll Attributed to Mi Youren and
and Yuan, University of California Press, 1980, p. 176
Sima Huai, Zhejiang University Journal of Art and Archaeology, 2014,
illustrated, p. 127 Minato Nobuyuki, Soujinhitsu to sareru Kobokuchikusekizu ni tsuite (About
Wood and Rock by artist from Song Dynasty),Suzuki Kei Sensei Kanreki-
Wu Hung, A Story of Ruins: Presence and Absence in Chinese Art and Visual
kinenkai Chugoku Kaiga Shironshu, Yoshikawakobunkan, Tokyo, 1981,
Culture, Princeton University Press, 2012, p. 42
p. 241
Shane McCausland, Zhao Mengfu, Calligraphy and Painting for Khubilai’s Zhang Guangbin, History of Calligraphy in China, Commercial Press of
China, Hong Kong University Press, Hong Kong, 2011, p. 296
Taiwan, 1980, p. 189
Kohara Hironobu, The Study of Chinese Handscroll Painting,
Max Loehr, The Great Painters of China, Phaidon Press Limited, Oxford,
Chuokouronbijyutsu, Tokyo, 2005, Fig. 26
1980, p.176, Fig. 88
Comprehensive Collection of Chinese Paintings Vol. 2 – Five Dynasties, Song,
Ishida Hajime Su Shi and Mi Fu of Shoron no.11, Shoronkenkyukai, Osaka,
Liao and Jin, Book 1, Zhejiang People’s Fine Arts Publishing House and
1977, p. 91
Cultural Relics Publishing House, June 1999, pl. 78, pp. 104-105 &
p. 25 (description) Osvald Siren, Chinese Painting: Leading Masters and Principles, Lund,
Humphries and Company, Ltd., London, 1956, vol. II, p. 12-13 and
Ito Tadatsuna, DaibatsuίDaigashi yorimita Sushi no Kaiga of Nisho¯: illustrated, vol. III, pl. 180. Reprint: Hacker Art Books Inc., New York,
Daigakuin-kiyo¯ 11th series, 1997
1973
Selection of Song Paintings, Zhejiang People’s Publishing House, Zhejiang,
Selection of Chinese Classical Paintings, Beijing People’s Fine Arts Publishing
1997, p.53
House, 1963, pl. 37
Peter C. Sturman, In the Realm of Naturalness: Problems of Self-Imaging by
Chinese Calligraphy and Painting in the Collection of John M. Crawford Jr., the
the Northern Sung Literati in Arts of the Sung and Yuan, pp. 165-188, the
Piemont Morgan Library, 1962, p. 74. Ref. 14
Metropolitan Museum of Art, New York, 1996, Fig. 9.6
Yu Feng, Chinese Painters: Wen Tong, Su Shi, Shanghai People’s Fine Arts
Ronald C. Egan, Word, Image, and Deed in the Life of Su Shi, Cambridge, Publishing House, 1962, p. 2-3, pl. 2
Mass., Council on East Asian Studies, Harvard University, Harvard-
Yenching Institute, Harvard University Press, 1994, book cover Shodozenshu vol.15, ChinaίSong 1, Fig. 17, Su Shi, Wood and Rock; Fig. 90,
Beifutsu (Mi Fu) Su Shi Wood and Rock Poem, Heibonsha, Tokyo, 1954
Peter C. Sturman, Cranes Above Kaifeng: The Auspicious Image at the Court
of Huizong, Ars Orientalis, Vol. 20, Freer Gallery of Art, The Smithsonian Historical Materials on Song, Liao, Jin Artists, Cultural Relics Publishing
Institution and Department of the History of Art, University of Michigan, House, p. 385
1990, pp.33-68, Fig. 20
Fu Xinian, Connoisseurship of Chinese Painting and Calligraphy, pp. 222-227
Yang Renkai, The Chinese Painting & Calligraphy, Shanghai Gu Ji
Yang Renkai, The Muyulou Papers on Painting and Calligraphy, Shanghai
Publishing House, Shanghai, 1990, p.191
People’s Fine Arts Publishing House, pp. 201-207
History of Chinese Art, Shanghai People’s Fine Arts Publishing House,
Authenticity in Classical Painting and Calligraphy, ed. Palace Museum,
1989, pp. 331-332 & 406, pl. 251
Collected Writings by Xu Bangda Vol. 10, pp. 288-289
Lang Shaojun and Liang Jihai, Dictionary of Chinese Painting
Classical Painting and Calligraphy – Jin, Sui, Tang, Five Dynasties, Song
Connoisseurship, China Youth Press, 1988, pp. 264-265
Paintings, ed. Palace Museum, Collected Writings by Xu Bangda Vol.
Xue Yongnian, Notes on the Historiography of Painting and Calligraphy, 8, pp. 93-94
pp. 68-72 (first published in Lian Chun Hua, Vol. 2, 1987)
Zhang Heng, The Muyanzhai Notes on Connoisseurship, Cultural Relics
Illustrated History of Chinese Paintings, Shanghai People’s Fine Arts Publishing House, pp. 70-73
Publishing, 1984, pl. 67, p. 126
Tang Hou (14th C), Gu Jin Hua Jian, Collection of Paintings and
Nakata Yujiro, Beifutsu (Mi Fu) of Beifutsu Kenkyuhen, Nigensha, Tokyo, Calligraphy, Vol. II, pp.899-900.
1982, p.187

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