Page 32 - Christie's Fine Cinese Classical Paintings, May 31 to June 1, 2023 Hong Kong
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FROM THE COLLECTION OF PROFESSOR WEN FONG   方聞教授收藏   (LOTS 822-823)
















































                                                          823

          823
          WANG YUANQI (1642-1715)           Qing, Wang Yuanqi (1642-1715) was   and paintings in imperial collection for
          Landscape after Song and Yuan Masters   tutored by his grandfather, the prominent   many years.
          A set of eleven loose album leaves, ink and   artist Wang Shimin (1592-1680). Like his   1708 was also the year Paintings and
                                                                              Calligraphy in Peiwen Studio, the
                                            grandfather, he advocated the emulation
          colour/ink on paper               of the work of the Song and Yuan masters,   compilation of the imperial collection
          Each leaf measures 35 x 30.2 cm.    which formed the foundation of the   which Wang Yuanqi presided over
          (13 Æ x 11 √ in.)                 orthodox style of painting. A prominent   and supervised, was completed. In the
          Ten leaves of painting: eight leaves inscribed   court official, he served as the keeper   colophon of Landscape after Song and
          and two leaves inscribed and signed, with a   of the imperial collection and often   Yuan Masters, he proposes that learning
          total of twelve seals of the artist  accompanied Kangxi in viewings. It is   from the style of the masters should not
          First leaf dated spring, wuzi year (1708)  recorded that the Emperor also enjoyed   be limited to mere imitation. Drawing
          One leaf of colophon by the artist, dated   observing him during the act of painting.  inspiration from the masters of the Song
          winter, wuzi year (1708) with three seals  Painted from spring to winter over the   and Yuan dynasties, the present album is
          Five collector’s seals including two of Wu   course of 1708, Landscape after Song and   a testament to the artist’s wish to ‘express
          Weiguang (1743-1803)              Yuan Masters dates to the height of artist’s   my own perspective’. Also of note is that
          Titleslip by Wu Weiguang, dated gengshen   late period as Wang Yuanqi notes in his   each leaf bears a different artist’s seal,
          year (1800), signed with two seals  colophon, in the quiet moments during his   with no repetition, suggesting that Wang
          LITERATURE:                       service at the Changchun Garden. Each   Yuanqi took particular care in completing
          Kei Suzuki ed., Comprehensive Illustrated   leaf interprets the style of an earlier artist,   the album. The album was collected by
          Catalog of Chinese Paintings: Vol. 1 American   including Wu Zhen, Lu Hong, Dong   collectors including Wu Weiguang (1743-
          Collections, Private Collection, University of   Yuan, Wang Meng, Huang Gongwang,   1803) and Miao Qi (1821-1885).
          Tokyo Press, Tokyo, 1983, pp. I-167-168,   Ni Zan, Mi Youren, Cao Zhibai, Li
          pl. A18-033.                      Cheng, Ju Ran and Guo Xi. Reducing   HK$3,000,000-5,000,000
                                            the artists’ schema to abstract geometric   US$390,000-640,000
          NOTE:                             forms, his brushwork is assured and
          The youngest of the artists collectively   confident, undoubtedly benefitting from   清     王原祁     宋元畫意     設色/水墨紙本
          known as the Four Wangs of the early   the rare experience of viewing calligraphy
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