Page 48 - Christie's Fine Chinese Modern and Contemporary Ink Paintings hk may 226 27 2021
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1034 Zheng Chongbin allows ink to take centre-stage 鄭重賓對水墨語言系統進行梳理、實驗與解
ZHENG CHONGBIN (B. 1961) in his work and constantly explores and exposes 構，以純粹的水墨作為視覺的中心，將墨的
Breeze 2 - 001.2012 its materiality. He uses white acrylic to “enrich 物質性本身視為藝術創作的重點。鄭重賓的
Scroll, mounted and framed, ink and acrylic ink painting by adding abstract plastic elements, 白墨因有抽象立體的元素，“令水墨畫更豐
on paper to create a multi-dimensional environment 富，創造出一個多元的環境，從而使水墨的
123.5 x 123.5 cm. (48 ¬ x 48 ¬ in.) and increase the tangibility and tactility of the 材質更加可觸、可見。因引入丙烯這種外來
Inscribed and signed medium. I found that by incorporating acrylic
Dated 2012 into ink painting, I cleared away barriers to 媒材，清除了水墨語系中表達的障礙，擴充
expression: it completed my visual language.” 了繪畫的視覺語彙。通過剪裁，分割與重疊
HK$120,000-180,000 The breakthrough from two-dimensionality 的紙張，鄭重賓營造出充滿張力的視覺空
US$16,000-23,000 with added textural quality gives vivacity and 間，令觀者能靜觀箇中哲理。突破二維空間
movement as seen in Breeze 2.
鄭重賓 微風 2 - 001.2012 水墨丙烯紙本 並帶入立體的質感，令觀者可在《微風-2》
鏡框 二〇一二年作 Zheng’s works are contemporary and 這幅作品中看到風帶來的動態和活力。
multidisciplinary and he truly breaks through
題識： 鄭重賓Chongbin 2. 2012 from the identity of a traditional ink painter. 鄭重賓的作品十分富有當代性，亦跨越不同
Using innovative materials, his concepts to 媒介，突破傳統水墨藝術家創作的媒介及界
spatial intervention are thought-provoking and 限，通過使用創新性的媒材，他的作品打破
experiential. Zheng’s recent projects include 空間限制，傳達出實驗性的概念。他近期的
Liquid Space, a light and space installation in a
temple in Kyoto, and I Look for the Sky, a site- 項目包括於京都寺廟展示的裝置藝術《流動
specific installation suspended at the Asian Art 的空間》，及於舊金山亞洲藝術博物館展出
Museum, San Francisco. 的裝置藝術 《I Look for the Sky》。
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