Page 112 - 2020 October 8 HK Fine Classical Paintings
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          A FINELY CARVED LIMESTONE FIGURE OF        唐   石灰石雕釋迦牟尼佛坐像
          SHAKYAMUNI BUDDHA
          TANG DYNASTY                               來源:
                                                     慎德堂,台北,1990年代初
          carved seated with the right hand held in bhumisparsha
          mudra, portrayed dressed in a traditional style Indian garment
          draped over the shoulders and partially exposing the chest,
          the textiles depicted cascading in folds, all below the serene
          facial expression flanked by a pair of pendulous earlobes, wood
          stand
          39 cm, 15⅜ in.

          PROVENANCE
          C.C. Teng, Taipei, early 1990s.
          HK$ 1,000,000-1,500,000
          US$ 129,000-194,000
          This sensitively carved figure of Shakyamuni Buddha
          encapsulates the sensuous naturalism of the Tang dynasty,
          where the religious message is delivered through an accessible
          form of human beauty, a period marking the fully matured
          style of Buddhist stone sculpture in China. The Buddha
          is depicted wearing a traditional Indian garment over his
          shoulders, the folds of the drapery naturalistically depicted.
          The figure closely relates to carved figures of Buddha in other
          media from the Tang dynasty. See, for instance, a larger dry
          lacquer figure of Amitabha Buddha in the collection of the
          Metropolitan Museum of Art, New York, illustrated in Denise
          Patry Leidy and Donna Strahan, Wisdom Embodied: Chinese
          Buddhist and Daoist Sculpture in the Metropolitan Museum
          of Art, New Haven, 2010, cat. no. 13. For a larger limestone
          example, see a Buddha from Shaanxi province, dated to AD
          639, illustrated in Osvald Sirén, Chinese Sculpture from the
          Fifth to the Fourteenth Century, vol. 2, Bangkok, 1998 ed., pl.
          365. See also a painted marble figure of Buddha with similar
          iconography and treatment of the drapery, from the Arthur
          M. Sackler collection, sold at Christie’s New York, 18th March
          2009, lot 359.


























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