Page 132 - 2020 October 8 HK Fine Classical Paintings
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          AN ARCHAIC BRONZE WINE VESSEL, GU          商末公元前十二至十一世紀
          LATE SHANG DYNASTY, 12TH–11TH CENTURY BC   青銅獸面紋出戟亞牛丁觚
          the elegantly curved slender vessel resting on a tall foot-  《亞牛丁觚》銘
          ring, crisply cast on the middle and lower sections with fine
          zoomorphic masks with prominent eyes, ears, horns centred   來源:
          on notched flanges, against a ground of intricate leiwen
          spiral, all below the tall trumpet neck decorated with shield   山中商會
          blades filled with further masks rising from a band of angular   Christian R. Holmes 夫人(1871-1941年)收藏
          serpents, the inner foot with an inscription probably reading Ya   紐約蘇富比1963年11月14/15日,編號258
          niu ding gu, wood stand and Japanese wood box  繭山龍泉堂,東京
          32 cm, 12½ in.                             平野古陶軒,東京
          PROVENANCE
          Yamanaka & Co., Ltd.                       出版:
          Collection of Mrs Christian R. Holmes (1871-1941).  梅原末治,《歐米蒐儲支那古銅精華》,卷1,大
          Sotheby Parke-Bernet, New York, 14th/15th November 1963,   阪,1933年,編號53
          lot 258.                                   《Selected Ancient Chinese Bronzes from the Collection of
          Mayuyama & Co., Ltd, Tokyo.                Mrs Christian R. Holmes》,年份不詳
          Hirano Kotoken, Tokyo.
                                                     巴納及張光裕,《中日歐美澳紐所見所拓所摹金文彙
          LITERATURE                                 編》,卷7,台北,1978年,編號1080
          Umehara Sueji, Shina Kodo Seika/Selected Relics of Ancient
          Chinese Bronzes from Collections in Europe and America, vol. 1,
          Osaka, 1933, cat. no. 53.
          Selected Ancient Chinese Bronzes from the Collection of Mrs
          Christian R. Holmes, n.d.
          Noel Barnard and Cheung Kwong-Yue, Rubbings and Hand
          Copies of Bronze Inscriptions in Chinese, Japanese, European,
          American, and Australasian Collections, Taipei, 1978, vol. 7,
          no. 1080.

          HK$ 600,000-800,000
          US$ 77,500-104,000

          The present gu is notable for its fine casting which creates
          an elegant silhouette and with its exquisite ornamentation,
          is typical of the final stage of the development in Anyang.
          This style is characterised by the high-raised motifs against
          the ground patterns. For the most refined examples such as
          the present piece, the main taotie masks are further detailed
          by intaglios and the background is interspersed with leiwen
          spirals.

          A closely related gu from the Sackler Collection in the Arthur
          M. Sackler Museum, Washington D.C., is discussed and
          illustrated in Robert W. Bagley, Shang Ritual Bronzes in the
          Arthur M. Sackler Collection, Washington, D.C., 1987, p. 255,
          no. 38; another similar gu vessel, unearthed in 2001 from
          Huayuanzhuang village, Anyang city, Henan province is
          illustrated in Yinxu xinchutu qingtongqi [Ritual bronzes recently
          excavated in Yinxu], Kunming, 2008, p. 152, no. 62; and
          another example with a pictogram of the clan li dao from the
          collection of H.E. Alexandre J. Argyropoulos, included in Jean-
          Pierre Dubosc, Mostra d’Arte Cinese, Venice, 1954, cat. no. 6,
          was sold in our New York rooms, 17th September 2013, lot 1.





                                                                               Mark





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