Page 194 - 2020 October 8 HK Fine Classical Paintings
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          PROPERTY FROM AN IMPORTANT COLLECTION      Horseshoe back chairs, quanyi, with their elegant curving       Frequently depicted in woodblock illustrations, these chairs   plain splats was included in the exhibition Ming Furniture,
          A RARE SET OF FOUR HUANGHUALI              crest rail and sweeping armrests are strikingly modern in their   were used in numerous contexts but were reserved for high-  Grace Wu Bruce Ltd., Hong Kong, 1995, cat. no. 23; another
          HORSESHOE-BACK ARMCHAIRS, QUANYI           balanced interplay between curvilinear and straight members.    ranking individuals. During formal occasions, quanyi were   set with an openwork panel on the splat, from the collection
                                                                                                                     draped in sumptuous textiles and provided with a footstool.
                                                                                                                                                                of Robert H. Ellsworth, was sold at Christie’s New York, 17th
                                                     Inspired by chairs made of pliable lengths of bamboo, their
          MING DYNASTY, 17TH CENTURY                 seemingly simple continuous crest rail was achieved through     Their wide seats, C-shaped splats and curved backs make   March 2015, lot 41; and two sets were reputedly in the former
          each with a gracefully curving crestrail terminating in   an ingenious joinery technique. In order to recreate the   them particularly comfortable and thus also suitable in   Museum of Classical Chinese Furniture in California.
          outscrolled handgrips, supported by a gently curved S-shaped   continuous back in hardwood, members were fitted together   informal settings. With the addition of two carrying poles, they   Chairs of this form are known either left undecorated or
          backsplat carved in low relief with a ruyi-shaped cartouche   with a cut-out to accommodate a tapered wood pin that would   were converted into sedan chairs, which the Ming dynasty   carved on the splats with raised motifs, as on these chairs. The
          enclosing a pair of dragon flanking a stylised shou character,   lock them firmly in place when inserted. With the application   carpenters’ manual Lu Ban jing [The classic of Lu Ban] calls   design on these chairs of two chilong facing a shou (longevity)
          the hard-mat seat set within a moulded frame, the legs joined   of a lacquer coating, the underlying joinery became virtually   yajiao, from the word yamen, or ‘magistrate office’, suggesting   character is unusual, although a similar motif is found on a pair
          by a beaded arched apron and connected to a footrest and   invisible.                                      they were reserved for important government officials.  of chairs sold in our New York rooms, 25th September 1986,
          stretchers, the wood of a rich honey-brown tone with an   These lightweight but sturdy armchairs were one of the most   Horseshoe chairs were generally made in sets of two or four,   lot 556.
          attractive patina                          prestigious seats in Ming and Qing dynasty households.          although intact sets of four are rare. A set of four quanyi with
          58.7 by 46.5 by h. 97 cm, 23 by 18 by h. 38¼ in.

          ◉  HK$ 3,500,000-4,500,000
          US$ 451,000-580,000

          明十七世紀   黃花梨圈椅四把成堂
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