Page 196 - 2020 October 8 HK Fine Classical Paintings
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          PROPERTY FROM AN IMPORTANT ASIAN PRIVATE COLLECTION  清雍正
          A RARE TEADUST-GLAZED VASE, HU             茶葉末釉鋪首弦紋尊
          SEAL MARK AND PERIOD OF YONGZHENG          《雍正年製》款
          the ovoid body rising from a splayed foot to swelling shoulders
          surmounted by a waisted neck flaring at the rim, flanked by   來源:
          two moulded mask and mock ring handles, encircled around   香港蘇富比1997年4月29日,編號587
          the body with horizontal ribs, applied overall with a speckled
          two-toned green, incised to the base with a four-character seal
          mark, Japanese wood box
          24.9 cm, 9¾ in.
          PROVENANCE
          Sotheby’s Hong Kong, 29th April 1997, lot 587.

          HK$ 400,000-600,000
          US$ 52,000-77,500

          The current vase demonstrates the ever-improving technical
          ability of the Jingdezhen potters during the Yongzheng period.
          This included the re-creation of completely different media in
          ceramics. Wood, lacquer, metal and stone became popular
          materials to be imitated, amongst which bronze simulations
          demanded skills far more challenging and ambitious than what
          was normally expected. The opaque and mottled glaze on this
          piece was achieved through the high concentration of iron
          oxide in the glaze, and required to be fired in a weak reduction
          atmosphere and slowly cooled to result in this unique patina
          that resembles bronze.
          Compare a Yongzheng teadust-glazed vase of similar size and
          form included in the Illustrated Catalogue of Ch’ing Dynasty
          Porcelain in the National Palace Museum, vol. I, 1980, pl. 152;
          and one from the collection of the British Rail Pension Fund
          sold in these rooms, 16th May 1989, lot 54. See also a flambé-
          glazed vase of this form sold in these rooms, 10th April 2006,
          lot 1604.



















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