Page 49 - 2020 October 8 HK Fine Classical Paintings
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 PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION  明永樂   翠青釉蓋罐
 AN EXCEPTIONALLY RARE JADEITE-GREEN
 GLAZED JAR AND COVER   來源:
 MING DYNASTY, YONGLE PERIOD  重要亞洲私人收藏
 香港蘇富比2009年10月8日,編號1624
 finely potted with tapered sides extending to softly rounded
 shoulders and rising to a short straight neck, veiled in an
 exquisite silky jadeite-green glaze thinning at the rim and
 pooling around the shoulders in a sea-green tone, suffused
 with a fine network of craquelure resembling silver threads
 across the surface, the low flat cover similarly glazed
 12 cm. 4¾ in.
 PROVENANCE
 An important Asian private collection.
 Sotheby’s Hong Kong, 8th October 2009, lot 1624.

 HK$ 10,000,000-15,000,000
 US$ 1,290,000-1,940,000







 A SOLITARY GEM IN JADEITE GREEN
 Regina Krahl


 It will be hard to find a porcelain vessel more pleasing in   related jars with this kind of glaze are preserved from the
 shape or more ravishing in colour than this small covered jar   Qing court collection, both of very similar form, with a similar
 from the imperial Yongle workshops of Jingdezhen in Jiangxi   cover, but with three small lugs attached around the shoulder:
 province. The smooth, bulging vessel with its softly rounded   one now also in Beijing (fig. 1), is illustrated in The Complete
 cover, enveloped in a luminous, glassy, blue-green glaze, has   Collection of Treasures of the Palace Museum: Monochrome
 the gem-like quality encountered only in the Yongle period   Porcelain, Hong Kong, 1999, pl. 123; the other, in the National
 (1403-1424). With its superbly designed form, outstanding   Palace Museum, Taipei (fig. 2) was included in the Museum’s
 material and perfect execution, it is a masterpiece from a   exhibition Shi yu xin: Mingdai Yongle huangdi de ciqi/Pleasingly
 golden era of China’s porcelain production. No other jar of this   Pure and Lustrous: Porcelains from the Yongle Reign (1403-
 shape, complete with its cover, in this glaze tone appears to   1424) of the Ming Dynasty, Taipei, 2017, catalogue, pp. 82-3.
 be recorded; altogether only five other pieces of this dazzling   Two other jars of this latter shape have survived without
 colour appear to be extant and only two have retained their   a cover: one in the Museum of Fine Arts, Boston (fig. 3)
 covers, both from the Qing court collection, today preserved in   illustrated in Wu Tung, Earth Transformed: Chinese Ceramics in
 the Palace Museums in Beijing and Taipei.  the Museum of Fine Arts, Boston, Boston, 1998, pp. 112-3 and
 While many porcelains of the Yongle period were created   on the dust jacket; the other, with the lugs ground down, has
 specifically for diplomatic missions, to be distributed as   been sold at Christie’s New York, 16th/17th September 2010,
 imperial gifts to foreign potentates, and are characterized by   lot 1357.
 larger sizes and a bolder aesthetic approach, more delicate   After the Yongle period this subtle colouration, which
 and sophisticated wares such as this jar, were produced at   requires impeccably prepared materials and utmost control
 the same time to cater to the needs of the imperial family and   of the firing, was abandoned and never properly revived.
 the court at large in the new palace buildings in Beijing. The   The endearing shape of this jar is also extremely rare, but is
 present jar was probably designed to hold chess pieces.  similarly seen on monochrome ‘sweet-white’ jars with incised
 Its sparkling bluish-green glaze – arguably the most desirable   decoration, now all lacking their covers, e.g. a piece in the
 and the most prestigious green hue – is in China called cuiqing,   National Palace Museum, Taiwan, included in the exhibition
 ‘kingfisher green’ and is used to denote any kind of bluish   Mingdai chunian ciqi tezhan mulu/Catalogue of a Special
 green reminiscent of the bird’s plumage. The pair to this jar,   Exhibition of Early Ming Period Porcelain, Taipei, 1982, cat. no.
 but lacking its cover, is in the collection of the Palace Museum,   55, where it is illustrated with a non-matching cover.
 Beijing, published on the Museum’s website (http://www.
 dpm.org.cn/collection/ceramic/227414.html). Two closely






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