Page 20 - A Time and A Place Catalogue, Jorge Welsh

The selection of pieces that shape this exhibition
and catalogue illustrate how a style of painting was
developed in China in response to Western taste
and commercial interests, while, at the same time,
coexisting with both the Chinese and European
traditions. The subject matter, buildings in their
landscape settings, is particularly suited to the
purpose of displaying through their details the
artistry and technical ability of the Chinese

painter. •

1 Andrews (ed.), 1994, 12 Espir, 2005, p. 33. 25 Holloway and Marno,
vol. I, p. 6. 13 Translated in Conan, 2003, p. 19.

2 Andrews (ed.), 1994, 2007, p. 24. 26 Cassidy-Geiger, 2007,
vol. I, no. 25. 14 Harris, 1996, p. 19. p. 238.
15 Pietsch, 2000, p. 17.
3 Quoted in Andrews (ed.), 16 Pietsch, 2000, p. 19. 27 Hanscombe, 2008, p. 12.
2004, vol. I, p. 243. 17 Cassidy-Geiger, 1996, p. 102. 28 http://www.acmuller.net/
18 Pietsch, 2000, p. 17
4 Andrews (ed.), 1994, con-dao/analects.html
vol. I, p. 63. and Rückert, 1990. [accessed 25.08.2016]
19 Rückert, 1990. 29 Bell, 1763, vol. I, p. 334.
5 Stodel, 1993, p. 60. 20 Rückert, 1990. 30 Suebsman and Antonin,
6 Rawski and Rawson (eds.), 21 Pietsch, 2000, p. 22. 2015, p. 141.
22 Jörg, 1989, p. 226. 31 Choi, Jr., 2003, p. 65, fig. 1;
2005, pp. 20-1. 23 Holloway and Marno, Pinto de Matos and Kerr,
7 Brawer, 1992, p. 17. 2016, pp. 224-25.
8 Howard, 1994, p. 10. 2003, p. 15. 32 Crossman, 1991, pp. 420-21.
9 Wood, 2011, p. 242. 24 Daniels, 1993, p. 48.
10 Jörg, 1989, p. 106.
11 Jörg, 1989, p. 106.