Page 36 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 36

containing copper  as a preliminary to gilding, which would have deposited a coating of copper
          over the iron. A similar process is also mentioned in the ninth-century Mappae Clavicula (Smith
          and Hawthorne 1974).
              A solution of copper sulfate in sulfuric acid was found to produce a coating of copper quite
          rapidly, although the plated copper  surface  did not have good adhesion. The galvanic  replace­
          ment of iron  with  copper  was  used  historically for  the  recovery of copper  from  waste  mine
          waters,  and,  as is well known, the knowledge was  also  used  for thaumaturgical purposes,  the
          process of transmutation of the elements —from iron to copper or from  copper  to gold—being
          very much a part of the  alchemical tradition. In the primary extraction of copper  from  waste,
          the galvanic deposition of copper  from  aeruginous  mine waters  even produced a minor indus­
          try in the form  of Herrengrund ware, made in the town of that name in Erzgebirge in Bohemia.
          Some examples  are illustrated in Smith (1971).
              Ingenious metallurgical techniques have been applied to the coating of iron with either cop­
          per  or copper  alloys, some of which  are  simply based on mechanical cladding or dipping the
          iron object into molten copper or copper  alloy. The earliest technique was simply to wrap cop­
          per sheet over the shaped iron  object, carefully hammering together  any seams or joins in the
          copper.  Corfield  (1993), for example, illustrates an Early Iron Age bridle bit from  a hoard dis­
          covered  at Llyn  Cerrig Bach, Anglesey, Wales, originally  excavated  by Fox  (i946), which  was
          fabricated by this technique.
              The fusion plating of copper  onto iron was  also common and is described by the  German
          monkTheophilus (i96i) in his De diversis artibus (ca. 1110 - 40)  as part of the manufacture  of bar­
          rel padlocks. Theophilus tells of using an alloy of 66% copper  and  33% tin, which was  crushed,
          mixed with  flux,  and heated in charcoal. A related technique  was reported by Arwidsson  and
          Berg  (i983)  for coating iron  bells from  Viking  Scandinavia.  The  bells would  be  covered  with
          strips of copper inside and out and heated in dung to fuse  them together. The electrolytic plat­
          ing of iron with  brass alloys was  already well known in the  late nineteenth  century. Phillips
          (1911) describes the galvanic deposition of brass from  an electrolyte of copper  and zinc salts in
          cyanide  solution, and producing variations in the  color of the  brass plating by adjusting  the
          exposed  brass anode area in the solution. An alternative technique  was to  first plate  a coating
          of copper,  followed by one of zinc, then sandwich it with  another  layer of copper  before heat­
          ing the plated metals  to alloy them together.  Copper  alloys are  still used in industry today for
          plating iron  and  steel;  for example,  mild  steel  can  be plated with  a binary brass by using an
          electrolyte of copper  and zinc salts in the ratio 6:4 dissolved in aqueous sodium cyanide. It is
          surprising that bronze  and high-tin bronze  alloys can also be plated from  solution (Silman and
          Averill  1978),  because  one  element  will  usually be  plated  out  before  the  other,  and  specially
          designed  solutions must be employed to achieve satisfactory  alloy  electrodeposits.






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