Page 41 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
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confirmed  by  metallographic  examination of a  cross  section  through  the  copper,  shown in
         PLATE . Beneath the portrait head, the restorer had penned additional information for this con­
              4
         ceit:  "A.  P. Ready  Restorer,  British Museum 1930."
            Galvanic  deposits  of copper  usually show  columnar  or twinned crystal structures,  often
         completely unlike anything that  can be produced by either the  casting or the hammering and
         annealing of pure  copper.  Growth features  in the  deposit  may be  evident,  and in these cases
         there  is  usually  a  columnar  aspect  to  the  microstructure. The  structures  are  often twinned
         because, for some rather  mysterious  reason, this must  represent the  system  of lowest  energy
         requirement  for  the  transition of dissolved  copper  species  to  metallic deposition  as  a  solid,
         assuming  that columnar growth is not dominant. Very often, copper  that  is redeposited  from
         solution  during the  corrosion of bronzes  is  also  twinned. However,  the  twin  lines in some
         electrotypes  may occur  as markings within  columnar structures  that  are  quite unique to  elec­
         tro typed copper;  some of these details can be seen in the photomicrograph of the modern relief
         protome  (see  PLATE  4).
            Another useful approach  to the identification  of electrotypes is that of Laue back-reflection
         X-ray  diffraction.  Wharton  (1984)  was  able  to  show  that  many  electroformed  reproductions
         could be identified  by this technique.  Since the inception of Renaissance medals —introduced
         in  1438 by the Italian painter Antonio Pisano, known as Pisanello  (1395- ca. 1455) —various cast
         or  electrotyped  copies  have been produced  from  struck originals; Wharton's  research  sought
         a nondestructive  method  to distinguish between  them. In the  Laue back-reflection X-ray  dif­
         fraction technique, a flat-plate camera is used with a beam of  X rays in the back-reflection mode.
         The number of spots that appear on the  film  then roughly correspond  to the number of grains
         that have diffracted the X rays. In Wharton's  study, medals  were placed 3 cm from  the  film in
         a  Laue  diffraction  cassette using  an  exposure  of 35  KV,  15 mA for  fifteen  minutes.  Since  the
         divided, columnar-type structure of most electrotypes  comprises  many discrete grains, the cor­
         responding Laue pattern shows a much finer array of small spots than the struck or cast equiva­
         lent. Obverse  and reverse faces of the electrotypes  do not necessarily  show the small degree of
         grain refinement, and a set of controls of cast and struck forms is an essential part of any detailed
         investigation. The technique  is an old one, and is well-known in the X-ray diffraction  commu­
         nity, but there appears to have been little application of the method in the conservation  field  fol­
         lowing Wharton's seminal paper.
            The microcrystalline nature  of electrotyped copper  is sensitive  to a plethora of variables,
         ranging from  current  density, presence of dirt  or particulate  matter in the  solution,  distance
         from  anode to cathode,  temperature,  degree of agitation, and the presence or absence of certain
         additives; any of these could have a profound effect on the micromorphology of the  deposited
         copper.  For  example, it has  been found  over  many years of empirical  observation  that com-
         plexing reagents such  as thiourea have a very beneficial effect on the grain refinement and com­
        paction of the  resulting deposit,  ensuring  a better  quality reproduction of surface  detail. The



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