Page 39 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 39

The  deposition of other  metals,  especially on scientific brass instruments,  was  often used
         during  the  eighteenth  and  nineteenth  centuries.  Bronzing solutions  based  on  arsenic  oxide
         deposit  a thin  adherent  film  of arsenic,  as  recorded  by Fishlock (i976). 6  Patination  solutions
         based on mercury salts were the most common but also created problems with corrosion of the
         copper  alloy substrate. Bright red mercuric oxide can often be observed  under  blisters on dete­
         riorated surfaces coated with mercury for which Hiorns (i892) provides a practical recipe. 7
                                I  ELECTROTYPiNG  The electrolytic deposition of  copper for the
         production of electrotypes  and the electrolytic dissolution of copper  corrosion products for the
         cleaning  of  copper  objects  represent  two  different  applications  of  the  same  electrochemi­
         cal  principles. In the  first  case, cathodic  deposition of copper  is used to build  up  a replica of
         an  object; in the  second,  the  cathodic  dissolution of corrosion products,  using stainless  steel
         anodes, is used to reveal the remaining metallic surface  or  core of an  object under  treatment.
             During  the  period  when  electrotyping  was  at  its  zenith  in  the  nineteenth  and  early
         twentieth  centuries,  many  copper  objects  were  produced  from  the  deposition of copper  from
         solution, using electric current with  copper (II)  solutions  and  copper  anodes to replenish  the
         solution. Opinions vary as to when the  first galvanic decomposition of  a metal salt solution was
         achieved,  but  the  discovery of the  voltaic pile by Volta in  1796  made possible  the application
         of  current  to  salt  solutions. The  first  application of galvanic  deposition  did not  occur,  how­
         ever, until about  1839,  followed by the development of its  practical application during the i840s
         (Beale 1975).
             A  colorful  array  of characters were  involved in the  early  developments  of electrotyping.
         One  of these was  Duke Maximilian  Hertzog von Leuchtenberg  (1817-52),  son-in-law of Czar
         Nicholas I of Russia, who founded  the  St. Petersburg  Electroforming,  Casting,  and Mechani­
         cal  Plant,  a  firm  that  produced  copper  electroforms,  as well  as  copper  horses for the Bolshoi
         Theatre  and copper  statues for the Hermitage (Hunt 1973). The Encyclopaedia Britannica (i898)
         states that  one of the most important activities in electrotyping in England at that time was to




                                                                   F I G U R E  1. 2  B O X  Μ Ϊ Γ Γ Ο Γ
                                                                   with Modern Relief Pro-
                                                                   tome. Mirror: Greek,
                                                                   fourth century  B . C . E .
                                                                              1
                                                                   Relief Protome: 930.
                                                                   D I A M :  (mirror) 15. 5 cm;
                                                                   (case) 15.3 cm. Bronze. The
                                                                   profile of a head on the
                                                                   back of this mirror appears
                                                                   perfectly  acceptable, but it
                                                                   is an electrotyped  addition.
                                                                   Malibu, J. Paul Getty
                                                                   Museum  ( 8 5 . A C . 8 7 ) .




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