Page 428 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
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were  a dark blue  film  and  a vivid  blue granular  precipitate. These were  dried under  reduced
          pressure. The  dark  blue  material  was  a  close  match  to  the  data  for  compound  A that  were
          obtained  by van T'Hul-Ehrenreich and  Hallebeek  (1972). The  vivid  blue precipitate  matched
          either compound A or H, again with high d-spacings at  16  Â.

          RECIPE  12  PLINY'S VERDIGRIS
          To  replicate Pliny's verdigris recipe  from  his Natural History  (Pliny 1979:34.28), two mixtures
          were made using a copper mortar and pestle:  (1) potassium  aluminium sulfate  and sodium car­
          bonate and  (2) potassium  aluminium sulfate  and  sodium chloride. Each mixture was  ground
          with enough  distilled vinegar to make  a paste. Over the next  5 days, more distilled vinegar  was
          added  to the mixtures, which were ground with  the pestle until  a light green paste  developed.
          The paste made with sodium carbonate had dried to a pale blue powder that gave an X-ray  dif­
          fraction  pattern  matching chalconatronite. The mixture with  sodium chloride gave  atacamite.
          This last recipe was repeated, yielding a light blue powder that possibly contained a basic verdi­
          gris as well  as  atacamite.


          RECIPE  13  THEOPHILUS'S "VIRIDE  SALSUM"
          Theophilus's recipe  (35) for "viride salsum" was replicated using a box approximately 10 by 8 cm
          hollowed out of a piece of oak. Copper strips with honey and salt were placed inside, spaced by
          small twigs; 60 ml of warm wine vinegar was poured over them, and the box was sealed up for
          4 weeks  (28 days). The product  appeared to be  a mixture of two phases: a light blue  product
          identified  as  a basic copper  acetate (compound  B); and  the principal product, shown by X-ray
          diffraction  to be the neutral copper  acetate monohydrate.


          RECIPE  14  CALCIUM  COPPER ACETATE  HEXAHYDRATE  FROM THE  MAPPAE  CLAVICULA
          In replicating recipe  3 from  the Mappae clavicula,  solutions  (0.25  M)  of calcium acetate and cop­
          per acetate reagents were made up with distilled water. One hundred milliliters of each solution
          was poured into two wide, open glass beakers and stirred. This resulted in a clear blue solution.
          One beaker was placed in an oven at 40 °C,  and the other was left in a fume hood to  evaporate.
          After  3 days,  the  oven solution had  reduced in volume by  50%.  Crystals, identified  as calcium
          acetate, had formed around  the sides of the beaker above the solution, which was by then of a
          viscous gel consistency. There were some crystals on the surface  of the gel as well. The solution
          in  the fume hood was unchanged. The oven beaker was transferred  to the fume hood as well, to
          slow the  evaporation. Two weeks  from  the  start  of the  experiment,  the  contents  of the  oven
          beaker were heterogeneous: a blue-and-white granular  area; a dark blue gel; some blue-green
          crystals;  and a fine, light blue powdery area. The fume hood beaker contained  a dark blue  liq­
          uid  with  some long, fibrous, light blue precipitate. One week later, the fume hood sample was
          nearly dried and consisted  of a light blue fibrous residue; blue-green grains (probably unreacted



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