Page 432 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
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green  corrosion of varying texture. A sample  from  the  second  experiment was identified  as a
          mixture of two types of copper acetate. This method, however, appeared more likely to create a
          patina than to be a useful means of producing verdigris pigment.


          RECIPE  22  SYNTHETIC  BLUE  PIGMENT  FROM CHINA
          An  ancient  Chinese  recipe for blue pigment (Needham  1974:244) was replicated using  1.5 g of
          cuprite powder,  8.5 g of ammonium chloride, and  25 ml of distilled  water. These ingredients
          were mixed in a flask and then heated on a hot plate. After  10 minutes the solution became very
          dark blue. Some unreacted  cuprite was still present. The solution was stirred, and another  0.5 g
          of ammonium chloride was added. Five minutes later, light blue crystals formed on the  surface
          of the solution, and on further boiling, all of the copper oxide dissolved. Three hours later, a pre­
          cipitate collected on the bottom of the flask. Filtration of the contents  of the flask produced a
          clear blue liquid  and a small amount of grayish green  solid. Cold distilled water was  added  to
          the blue liquid, which immediately formed a large amount of bright blue precipitate, identified
          as  atacamite.


          RECIPE  23  "ZANGAR"  PIGMENT  FROM THE ASRARUL  KHAT, INDIA
          The  Indian recipe  for "zangar"  (verdigris) from  the  Indian Asrarul  Khat manuscript of 1690
          (Bukhari  1963)  was  reproduced  using  a  large  mortar  and  pestle  to  combine  7.2 g of ammo­
          nium chloride with  3.6 g of copper turnings and some red wine vinegar. There was no immedi­
          ate  reaction. The mixture was  left  overnight, and by the next  day it had formed a dark  green
          paste that still included some unreacted  copper  filings.  During the following week, the  sample
          was ground, and more red wine vinegar was  added  as it dried out. Gradually the metallic cop­
          per disappeared. The  final result was a large mass of a dark blue-green granular solid that, when
          ground, produced a pale blue-green powder. This was analyzed by X-ray diffraction  and shown
          to be neutral verdigris with  some ammonium chloride.


          RECIPE  24  BRUNSWICK  GREEN
          Brunswick green pigment was made by adding copper  filings to a strong solution of ammonium
          chloride and leaving the mixture in a closed glass flask. By the next day, the solution, which was
          originally clear, had become  a dark blue, but the copper  filings  were unchanged.  After  3 days,
          a  lighter blue precipitate  had  formed on  the  surface  of the  dark blue  solution, and  the  cop­
          per  filings were dissolving. One week from  the start of the experiment, a blue-green precipitate
          had  collected at  the  bottom of the flask. This was  filtered  off, washed  with  water,  and dried
          at room temperature. The blue-green material was analyzed by X-ray diffraction  and shown to
          be  atacamite.







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