Page 430 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 430

The four flasks were placed in an oven at 40 °C for 3 weeks, after which all copper  strips
           were covered with  varying degrees of blue-green  corrosion. Corrosion from flask  1, with dis­
           tilled  clear vinegar, was analyzed and identified  as neutral verdigris.
               A  second  set of experiments was done, substituting bronze strips (6 cm by 1 cm by 0.3 cm)
           that were suspended in closed flasks above, but not touching, 50 ml of the different vinegars.
           When removed 1 week later, the bronze strips were covered with bright green, bulky, powdery
           corrosion. Much  more corrosion had been produced than with  the copper  foil  and vinegar. A
           sample  from  the red wine vinegar was analyzed by X-ray diffraction  and identified  as neutral
           verdigris, copper acetate monohydrate.
               A  third  set  of experiments  was  done  using brass  strips  that  were  kept in the flasks for
           4 weeks. The reaction was slow with these brass samples. Neutral verdigris resulted from expo­
           sure to red wine vinegar and balsamic vinegar, but the product produced with the clear vinegar
           was a mixture of two  forms of copper acetate.


           RECIPE  17  Μ Α Ρ PA Ε  CLAVICULA  RECIPE  80
           This recipe from  the Mappae clavicula was replicated using 8 g of coiled copper foil placed in a
           glass jar and mixed with  12 g of sodium chloride. Some red wine vinegar was poured over this
           mixture, and the jar  was covered. The middle portion of the copper coil began to form green cor­
           rosion products after  1 hour; after 1 month, the amount of corrosion had increased but was  lim­
           ited. The experiment was repeated using 2 g of copper foil and 4 g of sodium chloride. Red wine
           vinegar was poured on top so that all of the ingredients were in contact. After  3 weeks, the parts
           of the copper foil  above the solution had began to corrode. The green product was analyzed by
           X-ray diffraction  and shown to be  atacamite.


           RECIPE  18  BASIC VERDIGRIS:  MACTAGGART METHOD
           To  replicate the Mactaggart method of making basic verdigris, a thick cotton cloth was  soaked
           with malt vinegar, packed in a plastic pot with  sheets of copper  foil,  covered, and left  at room
           temperature in the lab for six weeks. When the jar was  opened, it was found  that the  copper
           sheets had reacted to varying degrees. The top sheet, which had been in complete contact with
           the vinegar-soaked cloth, showed no reaction other than tarnishing; the middle sheets had large
           areas of very dark blue-green corrosion; and the bottom sheet, which had the least contact with
           the vinegar-soaked  cloth, had reacted  strongly. Approximately  50% of the metal was gone, and
           the remainder of the sheet was covered in very dark blue corrosion with well-formed  crystals.
           A  sample of these crystals—which appeared dark blue-green when dried—was  ground, ana­
           lyzed  (GCI  XRD no. 619),  and identified  as neutral verdigris. Another verdigris sample  prepared
           by  the same method and provided by Mactaggart was analyzed  as well  (GCI XRD no.  587)  and
           produced a very different pattern, probably that of basic verdigris. A second attempt at making





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