Page 38 - 2020 September 21 Elegant Embellishment the RenLu Colelction, Bonham NYC
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           A PAIR OF GOLD EARRINGS AND FOUR GOLD ORNAMENTS   A PAIR OF OPENWORK GOLD BEADS
           Gold earrings: Qing dynasty, 19th century         Liao dynasty
           Each earring constructed as a large blossom with three layers   Each of spherical profile, formed by twelve curvilinear loops and two
           of granulated balls suspending a flower-decorated crescent and   circular rings connected together with tiny granulated beads.
           teardrop-shaped leaves, the reverse of the bloom mounted with a   1/2 x 3/4 x 5/8in (1.4 x 1.9 x 1.6cm) dimensions of each (2).
           loop, holding a thin curving pin; the bird-shaped ornaments each
           portrayed as a goose in flight rendered with a hollowed body and   US$2,000 - 3,000
           outstretched wings with hammered and pinched details, and pierced
           at one end for mounting.
           Earrings: 1 5/8in (4.1cm) long excluding pin      遼 金項珠兩枚
           ‘Bird’ ornaments: 1 1/4 x 1 1/4in (3.2 x 3.2cm) (6).
                                                             Gold beads such as these would be used in necklace during the Liao
                                                             dynasty.
           US$4,000 - 6,000
                                                             Compare a group of five similar gold beads illustrated in Adornment
           瓔珞花卉半月紋金耳環一對及飛雁鳴春金飾四枚                             for the Body and Soul, Ancient Chinese Ornaments from the
           金耳環:清 十九世紀                                        Mengdiexuan Collection, Emma C. Bunker and Julia M. White with
                                                             Jenny F. So (Hong Kong, the University of Hong Kong Museum
           The subject matter of the earrings suggests that the pair could be   Society, 1999), p. 237, pl. 104. See also Chinese Gold Ornaments,
           made for the Muslim community.                    Simon Kwan and Sun Ji (Hong Kong: Muwen Tang Fine Art Publication
                                                             Ltd., 2003), pp. 366-367, pl. 217.













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