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557

                                                                      PROPERTY FROM THE COLLECTION OF THE LATE JOHN
                                                                      GREGORY (1935-1996)
                                                                      A SUPERB GOLD-SPLASHED ARCHAISTIC
                                                                      INCENSE BURNER
                                                                      MING DYNASTY
                                                                      of compressed globular form, supported on three bracket feet,
                                                                      the rounded side cast with two animal mask handles between
                                                                      two rows of bosses encircling the base and rim, beautifully
                                                                      decorated overall with liberal splashes of gold scattered on the
                                                                      sides and base, the base with a six-character Xuande mark
                                                                      23 cm, 9 in.
                                                                      HK$ 50,000-70,000
                                                                      US$ 6,400-9,000
               557
                                                                      明    銅灑金獸耳爐
                                                                         《大明宣德年製》款



                                                                                                Mark












           558

           AN EMBROIDERED SILK HANGING OF THE        The present piece belongs to a select group of sumptuously
           BUDDHIST PARADISE                         decorated thangkas produced at the imperial textile
           QING DYNASTY, QIANLONG PERIOD             workshops at Suzhou during the Qianlong period (r. 1735-96).
                                                     Depicting the Buddhas of the Three Ages in the centre, who
           woven with gold and multicoloured threads to the central panel   are surrounded by apsaras, the Four Heavenly Kings and the
           with Amitayus Buddha in three mudras, representing the Past,   Eighteen Luohan, thangkas of this type were placed in temples
           Present and Future, each figure seated in meditation on a   and monasteries at court for religious worship, as well as gifted
           lotus throne, above an assembly of the Eighteen Luohan and   to religious leaders of Tibet. Textiles such as the present were
           the Guardians of the Four Directions amid scrolling clouds,   modelled after paintings by court artist Ding Guanpeng (1708-
           all below the five characters reading wu liang shou zun fo   1771), such as a silk hanging scroll illustrating a related scene,
           (Amitayus, Buddha of the Eternal Life) woven in gold thread   in the Asian Art Museum of San Francisco, San Francisco,
           separating the sun and moon discs respectively enclosing   object no. 2000.7.
           a cockerel and a hare, and eight apsaras bearing tributes,
           framed by an elaborate lotus scroll border  Compare a similar example in the Victoria and Albert Museum,
           152.5 by 72 cm, 60 by 28⅜ in.             London, museum no. T.230-1965; one from the Pourtales
                                                     collection, recently sold at Artcurial Paris, 11th June 2018, lot
           PROVENANCE                                141; one sold in these rooms, 8th  October 2006, lot 1080;
           An Austrian private collection.           another sold in our Paris rooms, 18th December 2009, lot 246;
                                                     and a fourth example, sold at Christie’s Hong Kong, 27th April
           HK$ 180,000-250,000
           US$ 23,000-32,000                         1997, lot 42.
                                                     Compare also a set of three embroideries of related
                                                     iconography displayed on the ceiling in Le musée chinois de
           清乾隆   絹繡無量壽尊佛圖屏心                          l’impératrice Eugénie, Château de Fontainebleau, France.
           來源:
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