Page 110 - Christie's, Important Chinese Works of Art, Hong Kong Dec 3 2021
P. 110

fig. 1  A Xing white-glazed vase, Tang dynasty.    fig. 2  A Yue sherd incised with houyuan,
                   Collection of the Palace Museum, Beijing        excavated from a chemical plant in Hangzhou
                          圖一  唐代邢窯白瓷瓶                          圖二  原杭州東南化工廠廠址出土刻有「後苑」二字的越窯瓷片
                           北京故宮博物院藏品                       圖片來源:鄧禾穎:〈南宋早期宮廷用瓷及相關問題探析 — 從原杭州東南化工
                                                                   廠出土瓷器談起〉,載於《東方博物》2012 年 01 期


         2960 Continued

         This gracefully potted vase, with its ovoid body, lipped rim and incised   While the current vase was likely made during the Northern Song
         bands on the neck and shoulder, is very similar in shape and proportion   dynasty, it is equally possible that it was once used by the Houyuan
         to a Tang dynasty Xing white-glazed vase in the Palace Museum   institute during the Southern Song dynasty. While the Ding kilns in
         Collection (fig. 1), illustrated in Zhongguo wenwu daquan- taoci bian,   Hebei fell under Jin territory after the Jurchen takeover, it appears
         Taipei, 1993, pl. 190. However, with a lustrous ivory-tinged glaze and   that the Southern Song court maintained admiration for northern
         fine body, this vase is more refined than those produced during the   Ding wares, as indicated by a number of extant Ding pieces inscribed
         Tang dynasty, and was more likely a Ding-type piece made during the   with Southern Song palace names. Once such example is a Ding
         11th-12th century when coal was used as fuel at the kilns instead of   dish carved with chilong dragons and incised on the base with the
         wood, as with its prototype Xing wares.           Southern Song palace name Shoucheng Dian (museum number:
                                                           guci007714N000000000) (fig. 3). This suggests Ding wares made in
         The unglazed base of the current vase is incised with the characters   the north made their way to the Southern Song court and were labelled
         Houyuan (literal meaning the ‘back garden’). Houyuan is the name of   with palace names. The Palace Museum also has a number of Ding
         a palace institute under the imperial household department, which   wares incised with various palace names, illustrated by Feng Xianming
         according to Song Shi (The History of Song), was in charge of palace   in ‘Ciqi qianshuo’, Wenwu, 1959, issue 7 (fig. 4).
         maintenance as well as utensils used by imperial members. This vase
         was therefore very likely once used within the palace complex of the   Aside from the current vase, there appears to be no other known Ding
         Song dynasty.                                     piece bearing the same inscription, making it even more rare with great
                                                           historical importance, shedding light on the usage of ceramic wares in
         The Houyuan institute continued its existence during the Southern   the palace during the Song dynasty.
         Song dynasty, after the Jurchens took over the northern part of China
         in the 12th century. According to the early Yuan text Wulin Jiushi, the
         appreciation of flowers within the Southern Song court was organised
         by the Houyuan, which also took care of the display of imperial utensils
         during such events. In 2009, numerous Song-dynasty sherds were
         excavated from a chemical plant in Hangzhou, which sits on a site
         where government officials hosted foreign diplomats within the capital
         during the Southern Song dynasty. One Yue sherd is incised with the
         same characters Houyuan (fig. 2), suggesting that ceramic pieces with
         Houyuan inscription were used by Southern Song government agencies.







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