Page 13 - Handbook of Tibetan Buddhist Symbols
P. 13

Handbook of Tibetan Buddhis#128  9/1/10  11:23 AM  Page xii







                  xii  T he Handbook of  T ibet an B uddhist S ymbols


                       attributes of the khatvanga, damaru, thigh-  more accurate interpretation of this term
                       bone trumpet, skull-cup, and curved knife.  should perhaps be ‘purity’, as these attributes
                       The ninth and tenth sections cover the array  essentially represent the enlightened qualities
                       of traditional and magical weapons that are  or ‘purities’ of the deities. These purities are
                       mainly wielded by the semi-wrathful yidam  evocatively expressed in the various ‘Praises
                       and wrathful protective deities, whilst the  to the Deities’, which were composed by
                       eleventh section deals with some of the more  many great Indian and Tibetan masters over
                       necromantic attributes of these deities. The  the last fifteen hundred years. The poetic
                       twelfth and thirteenth sections encompass  verses of these beautiful prayers often reveal
                       the spectrum of hand-held implements and  the reverence, faith, love, and devotion that
                       plant attributes that are held by many di-  these masters perceived in the deities as their
                       verse deities and human teachers. The four-  sources of refuge and inspiration.
                       teenth and fifteenth sections deal with some  Throughout the text I have also used the
                       of the more esoteric symbols of Vajrayana  terms ‘often, usually, frequently, generally,
                       Buddhism, including the ‘reality-source’ or  and traditionally’ to refer to particular sym-
                       dharmodaya, ‘sacrificial cake offerings’ or  bolic definitions or descriptions. The use of
                       tormas, and the ‘inner offering’. The six-  these terms does not stem from an uncer-
                       teenth section completes the text with a de-  tainty about a symbol’s meaning or depic-
                       scription of the main hand gestures or    tion, but from the fact that these symbols
                       mudras made by the deities.               often have iconographical variations accord-
                         At the end of the book are four appen-  ing to different traditions or lineages. To ex-
                       dixes and a glossary. The first appendix   plain these tangential variations is beyond
                       relates the ancient Indian legend of the  the scope of this book, although I have
                       churning of the ocean. The second appendix  sometimes partially attempted to do so in
                       gives a brief outline of the conceptual assem-  the more voluminous text of The Encyclope-
                       bly of the Five Buddha Families. The third  dia. In Vajrayana iconography the three lev-
                       appendix gives a brief explanation of the var-  els of an outer, inner, and secret symbolism
                       ious kayas or ‘divine bodies’ of the Buddhas.  are sometimes given, particularly within the
                       The fourth appendix attempts to briefly ex-  practices of the Highest Yoga Tantras. The
                       plain the complexities of the Buddhist ‘chan-  depths of meaning concealed within these
                       nel wheel’ systems of the Highest Yoga    teachings are extremely profound and multi-
                       Tantras, which symbolically relate to the  faceted. Like a wish-granting gem that re-
                       transmutation of the processes of birth, life,  fracts a myriad rays of rainbow light, the
                       death, and rebirth into the state of supreme  nature of this light is one, although its as-
                       enlightenment. The subject matter of these  pects of illumination appear to be many.
                       last three appendixes is extremely profound.  A similar spectrum of understanding can
                       Although these subjects are only briefly and  be applied to the classical English terms that
                       inadequately explained here, a deep under-  are used to describe the various Buddhist
                       standing of them is vital for a true insight  listings of mundane and enlightened quali-
                       into the amazingly sophisticated principles  ties. These terms, such as the Eightfold
                       and practices of Vajrayana Buddhism.      Noble Path, the six perfections, and the four
                         Throughout the text I have used the term  immeasurables, are all ‘relative’ terms with
                       ‘symbol’ to refer to the intrinsic meanings as-  no easily definable ‘absolutes’. Their mean-
                       cribed to a particular object or attribute. A  ings are essentially inspirational, and as
   8   9   10   11   12   13   14   15   16   17   18