Page 137 - Christie's Asian Art Auctions PARIS December 2019
P. 137

COLLECTION OF EINAR JOLIN (1890-1976)
                                          瑞典畫家Einar Jolin (1890-1976)珍藏





                                Born in 1890, the Swedish painter Einar Jolin was
                                well known for his highly decorative portraits,
                                landscapes and still lifes characterised by the
                                use of bright and clean colours and a naïve
                                Expressionist style. Although strongly inspired
                                by Matisse, the Oriental art that he discovered
                                at Musée Guimet in Paris was even more
                                infuential  to  his  artistic  style.  Soon  enough
                                the  Chinese  and  Japanese  art  works  from
                                his  personal  collection  became  the  essential
                                props of his interior paintings during his long
                                career as a painter. The current bronze fgure
                                of Guanyin is gracefully presented next to a
                                archaic  gu  vase and a pebble bowl in an oil
                                canvas by the artist dated 1951.

           瑞典畫家 Einar  Jolin  (1890-1976) 以其極富裝飾性的人物肖像、風景以及靜物
           而聞名,其作品色彩乾凈明亮,具有天真爛漫的表現主義風格。畫家雖然受                                Blomor i vas, Einar Jolin, oil on canvas, 1951.
           Matisse啟發,但巴黎吉美博物館的東方藝術才更大程度影響並成就了其藝術
           風格。很快,他自己所收藏的中國和日本藝術品,在其漫長的畫家生涯中充
           當起了室內裝飾的核心題材。本件優雅的銅水月觀音與銅花觚、鈞窯碗一同
           呈現在畫家1951年創作的這件油畫中。



           183
           STATUE DE GUANYIN EN BRONZE
           CHINE, DYNASTIE SONG, CIRCA XIIIEME SIECLE
           Elle est assis en rajalilasana, la main droite est élégamment posée
           sur  le  genou  droit  plié,  la  gauche  reposant  sur  son  socle  d'origine.
           Elle est vêtue d'un dhoti souple, une écharpe posée sur ses épaules
           laissant son torse dénudé paré de bijoux. Son visage aux yeux mi-clos
           est empreint de sérénité et surmonté d'un haut chignon portant une
           efigie de bouddha.
           Hauteur: 14,5 cm. (5º in.), socle en bois
           €10,000-15,000                  US$12,000-17,000
                                             £8,700-13,000
           PROVENANCE:
           Previously in the collection of Einar Jolin (1890-1976), acquired prior to
           1951, thence by descent to the previous owner.

           One  of  the  common  depictions  of  this  bodhisattva is the so-called
           ‘Water-Moon  Guanyin,’  or  ‘Avalokiteshvara  of  the  Southern  Seas,’
           which shows the fgure seated in rajalilasana, or ‘Royal Ease’.
           See a closely-related Song dynasty bronze Guanyin with its stand in
           the collection of the Freer Gallery of Art Washington D.C (inventory
           no. F1917.17a-b), illustrated in H. Munsterberg, Chinese  Buddhist
           Bronzes, Vermont and Japan, 1967, pl.69.
           Compare to a similar gilt-lacquer bronze fgure of Guanyin of slightly a
           larger size (15.8 cm.), also dated 13th century, sold in Sotheby’s Paris,
           11 June 2019, lot 21 ; and another one sold in Christie’s London, 10th
           December 1990, lot 38.

           A BRONZE FIGURE OF A SEATED GUANYIN
           CHINA, SONG DYNASTY, CIRCA 13TH CENTURY
           宋 約十三世紀 銅水月觀音坐像
           來源:著名瑞典藝術家Einar Jolin (1890-1976)私人舊藏,
           于1951年前入藏,后家族傳承



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