Page 141 - Christie's Asian Art Auctions PARIS December 2019
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186
           RARE STATUE REPRESENTANT
           PROBABLEMENT MILAREPA EN BRONZE
           ET CUIVRE
           TIBET, XVEME-XVIEME SIECLE
           Il est représenté assis les jambres croisées sur une
           base lotiforme en cuivre recouverte d'une peau de
           tigre. Sa main droite est levée en vitarkamudra et
           sa main gauche est en varadamudra. Il est vêtu de
           robes monastiques richement brodées. Son visage
           serein  est  encadré  de  longs  lobes  d'oreille  et  de
           nattes lui tombant sur les épaules ; scellée.
           Hauteur: 19 cm. (7Ω in.)
           €50,000-70,000      US$56,000-78,000
                                 £44,000-61,000
           PROVENANCE:
           Private Collection, Connecticut, acquired in 1993
           in New York.
           Christie's New York, 21 March 2008, lot 655.
           Important French private collection, acquired
           from Ulrich and Heidi von Schroeder Collection,
           Switzerland, 20 June 2013.
           A RARE BRONZE AND COPPER FIGURE OF
           PROBABLY MILAREPA
           TIBET, 15TH-16TH CENTURY
           西藏 十五/十六世紀 銅上師坐像(應爲密勒日巴)
           來源:
           私人舊藏,康乃狄克州,于1993年購自紐約
           紐約佳士得,2008年3月21日,拍品655號
           重要法國私人珍藏,于2013年6月20日購自
           Ulrich and Heidi von Schroeder私人珍藏

           Milarepa (1040-1123) is sometimes thought of as the
           frst ordinary Tibetan to become a perfect Buddha
           in one lifetime. As a young man he successfully
           mastered black magic to take revenge on a wicked
           uncle  wrongfully  claiming  inheritance.  He  then
           repented  to  practice  Buddhism  with  his  teacher
           Marpa,  who  put  him  through  terrible  ordeals  of
           constructing,  dismantling  and  reconstructing  a
           nine-story tower four times over before starting
           to teach him. Profoundly gifted as a singer and
           poet, he communicated Buddhism through song
           and poetry and is credited with numerous popular
           Tibetan folk songs.
           This statue belongs to the Byang lugs or “northern
           style” of Western gTsang in Southern Tibet, north
           of the gTsang po river. “This style is distinguished by
           a strong realism and can include ornamentation in
           relief work” (U. Von Schroeder, Buddhist Sculptures
           in Tibet, volume two, Tibet & China, Visual Dharma
           Publications Ltd., Hong Kong 2001, p. 1126).








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