Page 165 - Christie's Asian Art Auctions PARIS December 2019
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ƒ207
           STATUE DE BODHISATTVA EN PORCELAINE BRUNE
           REHAUSSEE D'OR
           CHINE, DYNASTIE QING, XVIIIEME-XIXEME SIECLE
           Il est représenté à genoux sur un socle lotiforme, les mains relevées à
           hauteur de son torse dans un geste d'ofrande. Il est paré de bijoux et
           vêtu d'un dhoti. Son visage est empreint de sérénité. Ses cheveux sont
           coifés en chignon et ceints d'une tiare.
           Hauteur: 29,8 cm. (11¾ in.)
           €60,000-80,000                 US$67,000-89,000
                                            £52,000-69,000

           PROVENANCE:
           American private collection, acquired in Hong Kong in the 1950s, and
           thence by descent within the family.
           Christie's New York, 22-23 March 2012, lot 2124.
           Property of a Southeast Asian collector
           A GILT-DECORATED BROWN-GLAZED FIGURE OF A
           BODHISATTVA
           CHINA, QING DYNASTY, 18TH-19TH CENTURY
           清十八/十九世紀 紫金釉描金彩供養菩薩
           來源:
           美國私人舊藏,于1950年代購自香港,后家族傳承
           紐約佳士得,2012年3月22-23日,拍品2124號
           東南亞藏家珍藏





           This unusual iconographic pose, with both arms raised in a gesture of
           ofering, is extremely rare among Buddhist images of the Qing period.
           The inspiration of this unusual kneeling posture is modeled on Ming
           dynasty,  Xuande  period,  gilt-bronze.  Compare  the  Ming  gilt-bronze
           kneeling  bodhisattva  in  the  Berti  Aschmann  Foundation,  Museum
           Reitberg, Zurich, illustrated in On the Path to Enlightenment, 1995, p.
           122, no. 72, which is slightly smaller at 21 cm. high.

           A nearly identical fgure dated to the Qianlong period is illustrated
           by I.L. Legeza, A Descriptive and Illustrated Catalogue of the Malcolm
           MacDonald  Collection of Chinese Ceramics, London, 1972, p. 79,
           no. 384. Three related polychrome fgures of seated Sakyamuni,
           each with varied hand gestures, are illustrated in Monarchy and its
           Buddhist Way: Tibetan-Buddhist Ritual Implements,  National  Palace
           Museum, Taipei, 1999, no. 23; and a smaller seated Buddha (15.9 cm.
           high) in the collection of the Nanjing Museum, is illustrated in Qing
           Imperial Porcelain, Hong Kong, 1995, no. 72. Compare, also, a similar
           fgure executed in gilt-bronze and champlevé  enamel dated to the
           Qianlong period, in the Victoria and Albert Museum, illustrated by S.
           W. Bushell, Chinese Art, London, 1924, vol. II, fg. 94.
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