Page 110 - important chinese art mar 22 2018
P. 110

558

           A GILT-BRONZE FIGURE OF                                            ඡ   ზ⺗ږᝈࠪͭ྅
           AVALOKITESHVARA                                                    ̏ᕧࢭთ˖j
           SUI DYNASTY                                                        ˄׹ʩϋɚ˜ɤɞ˚ۼط׼ɪމɳख़˨͎
                                                                              หிᝈ˰ࠪ྅ɓਜԶቮ
           standing on a lotus base, the Goddess of Mercy
           positioned in contrapposto with the left leg                       Ը๕
           stepping forward slightly and the right hip tilted                 Eskenazi Ltd dࡐ౱dߒ1982ϋ
           upward, the right arm raised at the elbow and
           holding a pearl in the % ngers, the left arm hanging
           by the side with the hand grasping a long sash,
           the body draped in robes and sashes clinging to
           the sinuous body, necklaces adorning the chest
           and a tall diadem crowning the head, the ! ame-
           shaped mandorla attached by a pin framing
           the torso, all raised on an earlier Northern
           Wei dynasty four-legged stand incised with a
           dedicatory inscription dated to the % rst year of
           Taicheng, corresponding to 532 A.D., Japanese
           wood box (3)
           Height 9 in., 22.9 cm

           PROVENANCE
           Eskenazi, Ltd., London, circa 1982.
           The S-curved posture, detached mandorla,
           elaborate ornamentation, and ribbony garments
           that cling to the body express the new visual
           vocabulary for Buddhist statuary that developed
           in the Sui dynasty (581-618). Both Emperor Wen
           (r. 581-604) and Emperor Yang (r. 604-618) used
           Buddhism as a means of unifying the empire
           and they avidly patronized the construction
           of Buddhist temples, pagodas, grottoes, and
           sculptures. Emperor Wen was particularly devout
           due to his upbringing in a monastery. He is
           alleged to have commissioned 4,000 temples
           and over 100,000 new images in gilt-bronze,
           ivory, wood, and stone, and restored over 1.5
           million damaged % gures. Two gilt-bronze % gures
           of Avalokiteshvara dated by inscription to his
           reign bear a strong resemblance to the present
           example. The most strikingly similar one is
           inscribed to the base with a date corresponding
           to 586 A.D. and is published in Jintong fo xiang
           [Gilt-Bronze Buddhist Figures], Beijing, 1998,
           pl. 7. The second, in the collection of the British
           Museum, depicts the bodhisattva holding a jewel
           in one hand and a bottle in the other and is dated
           by inscription to 595 A.D. and published in Hugo
           Munsterberg, Chinese Buddhist Bronzes, Rutland,
           VT and Tokyo, 1967, pl. 59.
           The stand of the present % gure is inscribed with
           a dedication and date, corresponding to the
           18th day of the 2nd month of the % rst year of
           Taichang, corresponding to 532 A.D. Taichang
           (Great Prosperity) is the % rst reign name of the
           Northern Wei Emperor Xiaowu’s rule (r. 532-535).
           The Taichang period started on 12th April 532 and
           lasted only a few months before the reign was
           renamed as Yongxing (Eternal Flourishing), a title
           which lasted through the end of Xiaowu’s reign.
           $ 50,000-70,000







           108     SOTHEBY’S
   105   106   107   108   109   110   111   112   113   114   115