Page 155 - important chinese art mar 22 2018
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           A PAIR OF PAINTED ENAMEL ‘BIRD   The inclusion of a four-character reign mark   Related enamel wares with Qianlong marks
           AND FLOWER’ BOWLS                inscribed in on a double-peach sprig is more   inscribed on fruit include two pairs sold in these
                                            commonly found on Yongzheng period enamel   rooms, the # rst pair, painted with pheasants, on
           QIANLONG MARKS AND PERIOD
                                            wares, which may suggest an early Qianlong   5th November 1944, lot 20 and the second, with
           each with deep rounded sides rising from a   period attribution for the present bowls. A   composite ! oral scrolls, on 1st June 1993, lot
           straight foot to a broadly ! aring mouth and   Yongzheng painted enamel zhadou in the Qing   99. A third example, painted with spotted deer,
           galleried rim, # nely enameled around the   court collection inscribed with the mark on a   was included in the exhibition Chinese Painted
           exterior with bird and ! ower scenes, one with   double-fruit motif, is illustrated in The Complete   Enamels of the 18th Century, Chinese Porcelain
           two magpies perched on blossoming prunus   Collection of Treasures of the Palace Museum.   Company, New York, 1993, cat. no. 11.
           branches, the other with a long-tailed bird   Metal-bodied Enamel Ware, Hong Kong, 2002,   Emile Goubert was a forensic doctor who lived in
           perched on a rose branch grasping an insect in   pl. 191; a painted enamel bowl with a related   China in the second half of the 19th century and
           its beak before two young chicks, all framed by   Yongzheng mark is illustrated in Hugh Moss,   amassed a large collection of Chinese art.
           borders of feathery scrollwork, the interior with   By Imperial Command, Hong Kong, 1976, pl. 18;
           a vibrant arrangement of Buddha’s hand citron,   and a ruby-back famille-rose cup also bearing a   $ 40,000-60,000
           rose, dianthus, chrysanthemum and Chinese   similar mark, is illustrated in John Ayers, The Baur
           chestnut, encricled by a broad band beneath   Collection, vol. IV, Geneva, 1974, pl. A600, where   ૶৻ඤ   ზߣ೥೗๻ڀ௢ྡұ໐䋘ɓ࿁
           the rim with shaped cartouches enclosing rose,   it is suggested that Yongzheng marks on peaches   ৻ඤϋႡ‘ಛ
           prunus and day lily, reserved on a pink diaper   were commissioned for imperial birthdays.  Ը๕
           ground, with a further band of scroll work, the                    Emile Goubert  ͛1852  ϗᔛ
           base with the four-character black-penciled reign
           mark inscribed on a fruiting sprig of two peaches,
           the rims gilt (2)
           Diameter 6½ in., 16.4 cm
           PROVENANCE
           Collection of Emile Goubert (b. 1852).



















































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