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           PROPERTY OF A NEW YORK COLLECTOR  Enamel plaques are rare and no other example of   ૶ ߒ1735ϋ   ზߣ೥೗๻Гݱɛيྡؐ
                                            this subject matter is known. The scene relates to
           A EUROPEAN SUBJECT PAINTED                                         Ը๕
                                            a Deshayes print depicting an elegant European
           ENAMEL PLAQUE                                                      Mildred R  ʿ Ra!  Y  Mottahedeh ϗᔛ
                                            lady with hands similarly positioned but playing
           QING DYNASTY, CIRCA 1735         a keyboard, see David Howard and John Ayers,   ॲߒᘽబˢ2000ϋ10˜19˚dᇜ໮411
                                            China for the West, Chinese Porcelain and other
           of rectangular form, ! nely painted in bold famille-               ̈و
                                            Decorative Arts for Export illustrated from the
           rose enamels with a domestic scene depicting a   Mottahedeh Collection, vol. II, London and New   J A  Lloyd HydedChinese Painted Enamels
           luxuriantly robed and bejeweled woman, perhaps   York, 1978, p. 631. But the inclusion of the putti   From Private and Museum Collections‘dശߕ
           Penelope the wife of Odysseus, seated in a 17th                    ՘ආٟdॲߒd1968ϋdᇜ໮50
                                            and the diadem on the ! gure’s head recall images
           century-style European armchair, working a loom
                                            of Penelope, the wife of Odysseus. A paradigm   David Howard ʿ John AyersdChina for the
           with the assistance of two cherubic ! gures, all   of marital ! delity, she remained faithful for   West  Chinese Porcelain and other Decorative
           within an interior embellished with a Chinese-  twenty years waiting for Odysseus’s ! nal return
           style barrel-form garden seat beside a table set                   Arts for Export illustrated from the Mottahedeh
                                            and famously deterred her numerous suitors by
           with a ‘cracked-ice’ vase, a European jug and a                    Collection‘d՜2dࡐ౱ʿॲߒd1978ϋd
                                            declaring that she would only remarry after she
           platter holding a pineapple, a purple-enameled   ! nished weaving a burial shroud for her father-  ᇜ໮657
           curtain in the foreground pulled to one side.  in-law.             The China Trade  Romance and Reality‘d
           Height 4⅞ in., 12.4 cm; Width 7½ in., 19 cm                        De Cordova Museumd؍ٵd௦޲d1979
                                            $ 8,000-12,000                    ϋdࠫ60
           PROVENANCE
           Collection of Mildred R. and Ra!  Y. Mottahedeh.
           Sotheby’s New York, 19th October 2000, lot 411.
           LITERATURE
           J.A. Lloyd Hyde, Chinese Painted Enamels From
           Private and Museum Collections, China Institute in
           America, New York, 1968, cat. no. 50.
           David Howard and John Ayers, China for the
           West, Chinese Porcelain and other Decorative
           Arts for Export illustrated from the Mottahedeh
           Collection, vol. II, London and New York, 1978,
           cat. no. 657.
           The China Trade: Romance and Reality, De
           Cordova Museum, Lincoln, Massachusetts, 1979,
           p. 60.




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