Page 139 - Christie's Leisurely Life May 29, 2019 Hong Kong
P. 139

3010
         AN IMPERIAL CHANGHUA SOAPSTONE SEAL               The current seal is consistent in size, text and calligraphic style
         JIAQING PERIOD (1796-1820)                        with one documented and illustrated in the Jiaqing Baosou,
                                                           the Jiaqing Emperor’s imperial seal catalogue.  According to
         The square seal is carved with a finial in the form of three playful
                                                           the Baosou, this seal was in stored in a box with eleven other
         chilong. The seal face is carved in relief with a four-character
                                                           seals also made of Changhua stone.  A considerable number of
         inscription, Hanying juhua, ‘To relish and absorb the essence [of
                                                           Imperial seals of the Qing Emperors and Empresses was made
         literature]’.
                                                           of Changhua stone, which was mined from the eponymous
         1 º x 1 º x 2 in. (3.2 x 3.2 x 5 cm.) high, 80g, box  town in Zhejiang province. For other Qing Imperial seals made
         HK$800,000-1,200,000           US$110,000-150,000  of Changhua stone, compare to the Qianlong Emperor’s group
                                                           seal comprised of Qianlong chenhan (Qianlong’s Brushwork),
                                                           Weijing weiyi (Be precise, be undivided), and Jingshengdai
         PROVENANCE
         Kamata Eizokudo, Osaka                            (Conscientiousness triumphing over idleness).
         A Kansai private collection, acquired in the early 1900’s  The impression of the current seal is also included in Qingdai
                                                           dihou xiyin pu ['An Album of Impressions of the Qing dynasty
                                                           Rulers and Empresses' seals], vol. 3, Jiaqing juan 2, Beijing,
         ᪺ࢧᄟ   ྽ᒜ٫⊆˖⹂㹪㖳Ǘܱ⩺ݰ⬺ǘഢ’䢰   Դ䢱
                                                           2005, p. 185, and in Qingdai dihou xiyin jicheng [Catalogue of
                                                           Imperial Seals of the Qing Dynasty], vol. 5, Beijing, 2005, p.
         ϝᬝ
                                                           199 (fig. 1). The current seal was in the collection of Kamata
         ഌ㩌㤏⊏᥼⦛ల
                                                           Eizokudo, a store specialised in scholar’s objects in Osaka active
         ᚚទ㨸㇛☆՞Ⅷ⻦卿Հࢦӽ⡕ߝݣ⻦                                  in the early 1900s, an impression of the current seal made by
                                                           Kamata Eizokudo is included with the current lot (fig. 2).
         ࣇᙔ厍्Ⲗঌⵖ
         The Jiaqing Emperor, originally named Yongyan, was the fifth   ૃጻ⎑Ⴝ㯰↾卿ἃ᳖ងݣ㨸ᇌ⎏✄Նջ⎑Ⴝǯૃጻ⯝Գ㪏‪ຽ
         emperor of the Qing dynasty who ascended the throne at the   Ԡ㧿⎏㨸ؠ⏟⋁ᇤ൘卿ૃጻ⦏ׅᇌԆӶ⬒Գ⣤ℒᙷ卿⋁Իഎӳ
         age of thirty-six. Unlike other sovereigns, Jiaqing was deprived   ⎑Ⴝ⎏Գ㪏խᓈᔍⶬᝬ㵶ᮛ✥卿ײᇑૃጻᇈ㫙ᗥ⬴Գ㪏ᛞឆᆨ
         of independent rule when he ascended the throne as his retired   Ꮀ⎏໸ᅴǯ㘺Ԯंᛇᙻૃጻ༾∵ߴㅳ⎏ᆨᅴǯԳ㪏ᛞㅳהԻ⏟
         father, the Supreme Emperor, remained the de facto ruler and   ⋁ᙇ㞔ӲᙹӬ⢑⎏⢑∵卿ݯԋӬᙹἃ༈ᬆ∵卿औംݦᙹἃ㉼ᙔ
         ultimate decision-maker. This unique situation set the standard
         throughout Jiaqing’s reign. What had been a practice in the   ㍎ओ∵卿⊇ս㊯ᚺᬆल∵ԋᬆल⎏्⨒ࣿ׹᫓ǯૃጻႽՔᐂ㇑
         Qianlong period also prevailed in the Jiaqing period, and this is   Ի㘺♎ᆨᅴ卿ߴㅳԻӶӴӮࢦ⢑㘺᧙⎏⢑∵ǯ᫉ࣇᙔἃǸ्Ⲗ
         reflected in the form and style of Jiaqing’s imperial seals. One   ঌⵖǹ୨ໃཎ❨㵲㪈ᙔ卿⯝Ǹⲳᠦ⠢⯣ǹǮǸᯬⱤջ㱀ǹἃ⢑
         such example is the carving of seals in the context of a group.   ∵卻㇦Ƕ᳖ջႽळ∵ࣇ㍆Ƿ卿✄Ԭݺ卿ૃጻ࣍Հ卿㮰    卼ǯ㨸
         During the Qianlong period a considerable number of seals   ᙻૃጻ༾∵ࣿ⢑∵⎏㈺㋏卿㊄㇦ទᐽ㐈ᐽ৅      ⽚㛖◙▼ᖬᙔ
         in related groups were produced, each group comprising one
         principal seal bearing the name of a palace or hall while the   ǸǺݻ㊯ૃጻ⎑Ⴝॶ⊑ᅠ◯Ԡ༾ǻǹǯ
         others were inscribed with poetic phrases and maxims alluding   ࢈՗ᘢ༈⻦Ƕૃጻ༾⻽Ƿԋཌ᫉ࣇᝳᚺ┱⎏ⶬ㢙卿ݯࣇᙔ❨ᯧ
         to the meaning and textual reflection to the first seal. As with
         his father, a total of seventy groups of seals were carved during   ׁࣿ཭⎐⯝᫉ड़भǯᗌǶૃጻ༾⻽ǷᏒ㖊卿᫉ࣇឬ㐏ἃᚸࢇ⒢卿
         Jiaqing’s reign, the present seal belongs to such a group forming   ⯝ݯձࢦӬᙹᚸࢇ⒢༾∵Ӭऱ⧡ᙻӬ࢑ǯ᳖ջႽळ༾∵ԋ卿㫍
         a set together with two other seals, Mingke jingshe ‘Studio of   ὞೰ྒྷ⒢Ꮢࢼᬘ㞒㬳჎䂈ഌ卿ֿᚸࢇ⒢ՔӶஙཐߛ卿ൈԳ㪏Ⴝ
         Tea Branches’, and Fanghua daiyin, ‘Appreciate the beauty of   ⶬल⎏ǸᘾࡠሴǹǮǸዂ⠢ዂӬǹǮǸԳ㪏༎⩎ǹഌ⢑∵ལᛓ
         flowers with tea supplanting wine’. For a further discussion on   ᚸࢇ⒢Ꮢㅳǯ༾∵㥝⚁㫌Ӳぞ㟏卿ऒ㑪⏀὞ᛞջ⁞ᇨࢦߎᚺ㰆ǯ
         Jiaqing Imperial seals and seal groups, see the introductory
         essay for Lot 3005 in this sale by Guo Fuxiang ‘Re-examining   ᫉ࣇᙔՔᘘ㢙ᙻǶ᳖ջႽळ∵ࣇ㍆Ƿ卿ࣻ卿ૃጻ࣍Հ卿࢈՗卿
         The Imperial Seal ‘Zhoujia yanxi zhi bao’ of Emperor Jiaqing’.       ჺ卿㮰    厎ࣿǶ᳖ջႽळ∵ࣇ㫀ᎰǷ卿✄Նݺ卿࢈՗卿
                                                                ჺ卿㮰      ވˏ  ǯ㩠ഌ㩌㤏⊏᥼⦛ల⻦⯠㟊ࣥ։   ވ̕  ǯ
















                      seal face                       impression           fig. 1  Impression of the current seal included in
                       ࣇ㬷                               ࣇᙔ                Qingdai dihou xiyin jicheng [Catalogue of Imperial
                                                                           Seals of the Qing Dynasty], Beijing, 2005, p. 199
                                                                            எӬ  ᫉ࣇࣇᙔᙻǶ᳖ջႽळ∵ࣇ㫀ᎰǷ卿࢈՗卿
                                                                                           ჺ卿㮰
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