Page 161 - Christie's Leisurely Life May 29, 2019 Hong Kong
P. 161

3018 Continued

         The inscribed text is a compilation by Emperor Qianlong of   ┡ℱǯ᱙㫌࠼᳅㫌ᐃᯧ卿㫌◙Ǯ◍Ǯ೰Ӳᛆ卿մ⛐ٛᏛᒨ೰◶
         different verses taken from ancient Classics in praise of the   ֵ٣ஙڬ卿ཎ㾬୪㲛㖔٤೰⩞卿៏⒢᧊㨌Մ⏟㖜ᛇǯྒྷခྐྵ⒢
         Three Star Gods: Fu Xing, Lu Xing and Shou Xing, is recorded   ⏎㓏୨ॶ卿ྒྷ⒢㧿ᝳᲮᲮ᱁᭢ǯԋ㧿㦔ߴᓼ㞖Գ㪏ᇙㅳᙔǸ◙
         in Qing Gaozong yuzhi shiwen quanji: yuzhiwen, vol. 1, juan 28
         (fig. 1).                                          ◍೰Ӳᛆ㐫ǹӬ㲛卿ݯᙔໃ㫀ǶᝧǷǮǶ㉼ǷǮǶᚿǷӲ⣌⣌
                                                           ᙔ⩧Ꮀ卿ݯᘘ㢙ᙻǶ᳖㵶໵ᇙㅳᙔݥ㫀Ƿ卿✄ࢦݺ卿ᇙㅳᙔߝ㫀卿
         On this plaque and in the poem, the Three Star Gods of   ࣍Հࢦݨ卻ވˏ卼ǯ
         Daoism form the main subject-matter: Shou Xing (Shou
         Lao), Fu Xing and Lu Xing, representing longevity, happiness   Ǹ◙◍೰Ӳᛆ㐫ǹߴᙔൈӴ厍
         and emolument respectively. Each deity is shown with his
         own attribute, which are also auspicious symbols in their   ◙   ğᎱईউᵌཆ卦㉼卧ǯ㩥◙♺♺卦㉼卧ǯ
         own right. Shou Lao, the oldest of the three Star Gods, is   ഌᝳ݉Օ卦ᚿ卧ǯ⊇ᙆ㢻ࣩᄭᭆ卦ᝧ卧ǯ
         characteristically shown with a staff and a peach of longevity,   ㎊ᅾाຽ卦㉼卧ǯई഍Ԡ▧卦㉼卧ǯ
         or a platter in this case. Fu Xing is usually depicted surrounded
         by children and Lu Xing, holding a scroll of law.    ᭦㈲ظԠ卦㉼卧َ⤊ᾭՂ⡩ે卦㉼卧ǯ
         The intricate style and quality of the carving of this screen   ◍   َ‰Ꮑ♚卦㉼卧ǯई഍⎋◍卦㉼卧ǯ
         is comparable to that on a group of finely carved spinach-  ዃᎱὍ⋌卦㉼卧ǯ༽⣉୨ᙹ卦ᝧ卧ǯ
         green jade brush pots of the same period, such as the example   ईཎ↗ഌ↗卦㉼卧ǯ഍ݯ⊒উ⊇֝卦ᝧ卧ǯ
         carved with a tribute scene in the Metropolitan Museum of   ⣉ⶃ㚥྇㎒ჺ卦㉼卧ⶃ⁒⎐⯎㱐Ἴ卦ᚿ卧ǯ
         Art, New York, gift of Heber R. Bishop, accession number:
         02.18.683a (fig. 2), another carved with the Six Sages in the   ೰   ഍ظ໸‰卦㉼卧ǯⶃ೰Ὅ⋌卦㉼卧ǯ
         Palace Museum, Beijing, illustrated in The Complete Collection   ظभഎক卦ᚿ卧ǯ㕇ݯᄮᆎ卦ᝧ卧ǯ
         of Treasures of the Palace Museum - Jadeware, III, Hong Kong,
         1995, no. 169; and a further example carved with the Four   ाຽᏒݯὍ㙐卦ᝧ卧ǯؼᆽࢶྒྷ卦㉼卧ǯ
         Noble Professions also from the Alan and Simone Hartman   սᅸս⩙卦㉼卧ǯዂᝠ᪞⯍Ղⶃჺ卦ᝧ卧ǯ
         collection, sold at Christie’s Hong Kong, 27 November 2007,   ᫉┡ℱᓿེⰰൈⵈⵄ⶟卿ݯԋ㚍ᝳ्㠩▂⁒㐏⎏㿳ⰰᙚ㿽卿㰆
         lot 1521. Compare also to a spinach-green jade circular panel
         accompanied by a cloisonné stand from the Irving collection,   ߅᳅᳍Ӷऱ⎏ྉ᪖卿ಫ࠼Ի⛁㵲ዷǯ᫉ᓿེӳഅྉ᪖⎏᳅㫌
         sold at Christie’s New York, 20 March 2019, lot 821.   㩽ߴ㰍ᡟ჎㇦ᙻԳ㪏ᛞឆ⏇リ⎏⊺ዪℱ଍卿ཿ→Իൈऱ⥾⊺⯺
                                                           ⎏㇬㈅ᘤ៧ǯ㰍ᡟ㯸ַ⎏ݯձऱឆ┡ℱ㘆ַ׾ս✖✢ἃഅ卿ࣻ
         The screen was clearly carved to accommodate a particular
         poem, as the inscription occupies an especially large area. The   ⩠⡥⡙ഌ㛢ᝯࢷ⁒㱦⻦⊳ᝆ᛿㚃㐩ݨホ㙊༾எ✖✢卿ݱ⻦⤔⽚
         stand, made of primarily zitan and inlaid with an openwork            B卻ވ̕卼厎࢈՗ᘢ༈ࢷ⁒㩴⻦⛛ᵏݪ㙐எ✖✢卿㇦ᘢ
         boxwood plaque, is of very high quality and was probably   ༈ࢷ⁒㩴⻦Ⅷ৅ݥ㫀Ƕℱ଍卻Ӵ卼Ƿ卿㲞ᳰ卿    卿எ‸    厎
         made for the piece. It is very likely that the stand comes from a   ৌ⁞ᝩ֖ܿ⯠⻦ᶗ᧤⩯㍡எ✖✢卿     ჺ    ᝲ    ᚚᙻ㲞ᳰצ
         matched series as it is very similar to another stand supporting   ೥ᇑᐽ㐈卿ᐽ৅      ⽚ǯՔजࣻ⩠᪹㫡֖ܿ⯠⻦Ӭ։㫌ߴ㰍ᡟ
         a circular spinach jade table screen; cf. Roger Keverne (ed.),
         Jade, London, 1991, p. 183, fig. 138.              㯸ַ⎏∣ℱ஋ᓿེ㙄ᓌ⢵⇈⇶ᄠ卿     ჺ   ᝲ    ᚚᙻ⡥⡙צ೥
                                                           ᇑᐽ㐈卿ᐽ৅     ⽚ǯ
                                                           ᓿེἃ᳖༈⎏㞒㇝㪀㉑৅卿അ㜩ᝳណᄠǯེ᫉ᓿᄠཝݯ⠢⤤卿
                                                           Ԗ㇝ս⡻᨞㫌ㅳ卿ԋഒူ㿩ᤨណ㘲㫌៏⒢⡠㱈։卿⊇ᙠ⯝㫌ߴ
                                                           㰍ᡟ⯝औӬ։Գ㪏┡ℱ஋ེ⎏ᄠຽࢦߎ⏟ַ卿㇦ 3PHFS ,FWFSOF
                                                           ⶬǶ+BEFǷ卿எ    ǯ
                                                           ◙Ǯ◍Ǯ೰ஙᭆ㧿᱁۔ἃ഍ӳӲࢼᛆǯ◙卿ዪἃՆ◙⯅㧰厎◍卿
                                                           ༡ዪ㵶໶࣡◍厎೰卿༡ዪ㧩উ⎋᫐ǯԋஇᭆ㧿੧᫆ս◙Ǯ◍Ǯ
                                                           ೰Ӳᛆ⎏ᆨ㎜הἃ◶ܔՒᇁকᚚ჎⊂᰻ԋ㎜ᇨჽ◙ǮमߧǮ㧩
                                                           ೰⎏▴㯳ǯ













            fig. 2  A spinach-green jade brush pot carved with tribute scene.
                        Qianlong period (1736-1795)
            Gift of Heber R. Bishop, 1902. The Metropolitan Museum of Art
                      எՀ  ᳖Գ㪏   ┡ℱ㫌ݨホ㙊༾எ✖✢
                         ჺ⊐⊳ᝆ᛿㚃㐩Խ⡥⡙ഌ㛢ᝯࢷ⁒㱦
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