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108                                                                                Published and Illustrated:
A FINE PAIR OF IMPERIAL SPINACH-GREEN JADE DOUBLE-CARVED                           Jade: Ch’ing Dynasty Treasures, Taipei, 1997,
CIRCULAR TABLE SCREENS                                                             pp.66-69 and 272, no.20.
Qianlong/Jiaqing
Well carved in high relief on both sides featuring lush steep mountainous          Exhibited:
landscapes with pine, cypress, wutong and plantain trees, lingzhi and shrubs, all  The Bowers Museum of Cultural Art, Santa
amidst multi-layered rockwork and outcrops, with steps, streams and waterfalls,    Ana, California, Jade: Ch’ing Dynasty
all below clouds; one screen carved to the front with Shoulao, the God of          Treasures from the National Museum of
Longevity, standing in front of a pavilion above two young attendants carrying a   History, Taiwan, 7 September 1997 - 1 March
hanging chime, qing, the reverse with a crane perched on rockwork and biting       1998
on a lingzhi; the second screen decorated with a scholar and two attendants        The Houston Museum of Natural Science,
carrying lotus stems below a pagoda, the reverse with a stag and doe grazing       Houston, Texas, Jade: Ch’ing Dynasty
with one feeding on lingzhi, the stone of attractive darker and lighter spinach-   Treasures from the National Museum of
green tones, wood stands and fitted box.                                           History, Taiwan, 3 April - 7 September 1998
Each 20.6cm (8 1/8in) diam. (5).                                                   National Geographic Society Museum
                                                                                   Explorer Hall, Washington D.C., 8 October
HK$600,000 - 800,000                                                               1998 - 3 January 1999
US$77,000 - 100,000
                                                                                   出版:
清乾隆/嘉慶 碧玉雙面雕鹿鶴同春插屏一對                                                               《清代玉雕之美》,國立歷史博物館,
                                                                                   台北,1997年,頁66-69,編號20

                                                                                   展覽:
                                                                                   美國加州寶爾博物館,1997年9月7日至1998
                                                                                   年3月1日
                                                                                   德州休士頓自然科學博物館,1998年4月3日
                                                                                   至9月7日
                                                                                   華盛頓國際地理協會探險家博物館,
                                                                                   1998年10月8日至1999年1月3日

                                                                                   The exceptional table screens would have
                                                                                   formed part of the paraphernalia on a
                                                                                   scholar’s desk, with the vast multi-layered
                                                                                   mountainous landscape alluding to the
                                                                                   idealised scholar’s retreat. The auspicious
                                                                                   subject matter conveys wishes of longevity,
                                                                                   represented by the crane, deer and lingzhi,
                                                                                   as well as the sage, who may be identified
                                                                                   as Shoulao, the God of Longevity. Compare
                                                                                   a related pair of white jade circular screens,
                                                                                   Qing dynasty, from the Qing Court collection,
                                                                                   carved on the front of each screen with a
                                                                                   sage, possibly representing Shoulao, and
                                                                                   attendants in a mountainous landscape, the
                                                                                   reverse with a crane and deer, illustrated in
                                                                                   The Complete Collection of Treasures of the
                                                                                   Palace Museum: Jadeware (II), Shanghai,
                                                                                   2008, pl.61. The stag and doe symbolise the
                                                                                   wish for marital bliss, and when combined
                                                                                   with the lingzhi, could be interpreted to wish
                                                                                   continuity and longevity. The musical stone
                                                                                   carried by the attendants relates to the sets
                                                                                   of jade chimes used in the Grand Sacrifices
                                                                                   of state rituals performed at the Altar of
                                                                                   Heaven and the Altar of Land and Grain,
                                                                                   underpinning the legitimacy of the dynasty
                                                                                   and establishing the emperor as the single
                                                                                   intermediary between Heaven and Earth.
                                                                                   The auspicious wishes of longevity and
                                                                                   continuity represented in the present lot can
                                                                                   be therefore construed not only as a personal
                                                                                   wish to be bestowed on the owner of the
                                                                                   screens but also on the dynasty.

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