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369                                                                      370*
A SMALL SLENDER OVOID CLOISONNÉ-ENAMEL VASE                              A PAIR OF CLOISONNÉ-ENAMEL VASES
By Namikawa Yasuyuki (1845-1927), Meiji era (1868-1912),                 By Ota Tamejiro (active Meiji era), Meiji era (1868-1912),
late 19th/early 20th century                                             late 19th century/early 20th century
Intricately worked in silver wire with two two butterflies shown on      Each worked in silver wire with exotic birds in flight among flowering
the reverse hovering over a clump of flowering nadeshiko (pinks)         branches of cherry blossoms above a profusion of other flowers of the
bending in the gentle breeze, reserved on a midnight blue ground,        four seasons including daffodils, irises, lilies, chrysanthemums and bush
the neck with a wide band of stylized half chrysanthemum blossoms,       clovers on the ground, the neck and foot with a narrow band of formal
signed on the base with chiselled cursive characters on a silver plaque  foliate motifs, each signed on the base with the mark of Ota Tamejiro;
Kyoto Namikawa; applied with a silver rim and foot.                      with a wood storage box. Each vase 24.5cm (9 5/8in) high. (3).
15.7cm (6¼in) high.
                                                                         £10,000 - 15,000
£2,000 - 3,000                                                           JPY1,400,000 - 2,100,000
JPY280,000 - 410,000                                                     US$12,000 - 19,000
US$2,500 - 3,700
                                                                         The seal is illustrated in Frederic T. Schneider, The Art of Japanese
For the biography of this artist, please refer to lot 362.               Cloisonné Enamel: History, Techniques and Artists, 1600 to the
                                                                         Present, Jefferson NC, McFarland, 2010, p.253, no.163.

For details of the charges payable in addition to the final Hammer Price of each Lot     FINE JAPANESE ART | 227
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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