Page 207 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
P. 207

CHAPTER  5  Porcelain  Trade  at  Canton  1740-1760


                                                                                                  36
                        became a main production site of enamelled copperware for the Qing court.   This

                        development has been traced by Shi Jingfei and was further explored by Xu Xiaodong,

                        showing that the production of enamelled porcelain was inspired by the production of


                                               37
                        enamelled copperwares.   The link between enamelled copperwares at Canton and
                        enamelled porcelain was obvious. Jingdezhen Taolu pointed out the following:


                                   Zhaoqin  (肇庆),  located  at Yangjiang  (阳江)  in  Canton,  has  imitated

                                   enamelled copper ware from foreign countries. Usually this is in the shape


                                   of censers, vases, saucers, dishes, bowls, plates and boxes, although the

                                   colour is quite brilliant but it is in poor taste, not as delicate as porcelain.


                                   However, the design was copied by Tang Ying (唐英) the supervisor of


                                   the Imperial Kiln at Jingdezhen from 1728 to 1758). Porcelain made under

                                   the supervision  of Tang Ying  are much more delicate than those from

                                             38
                                   Zhaoqing.

                            It is clear that there were enamel workshops at Canton prior to the mid-eighteenth

                        century, but producing copperware rather than porcelain. And Tang Ying’s own note


                        indicated the difficulty of fire enamel porcelain and required skilful artisans.  It is

                        noteworthy here that Tang Ying went to Canton for one year in 1750 and was then


                        sent back to Jingdezhen. During his stay in Canton in 1750, he might have seen local

                        enamel workshops of copper wares and properly adopted their designs in porcelain


                        production. Tang Ying,  the  supervisor  or  the  Imperial  Kiln  at  Jingdezhen  himself

                        noted that they were ‘porcelains on which a new technique borrowed from Western





                        36   Ibid.
                        37   Xu Xiaodong, ‘Europe-China-Europe: The Transmission of the Craft of Painted Enamel in the
                        Seventeenth and Eighteenth Centuries’ in Maxine Berg (ed.) Goods from the East 1600-1800
                        Trading Eurasia (Palgrave Macmillan, 2015), pp.92-107.
                        38   Lan Pu, Jingdezhen taolu [Records of Jingdezhen Ceramics] (Jinan, 2004), p.112.
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