Page 23 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
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CHAPTER  1  Introduction


                        happened  within  China  is  inextricably  linked  to  global  patterns  of  technology,

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                        production and consumption.

                            This thesis aims to extend our knowledge of Chinese porcelain of the eighteenth


                        century. It will shed light on studies of Chinese porcelain from art historians, but will

                        argue  that  we  should  move  on  from  a  sole  focus  on  the  style  and  physical

                        characteristics of individual pieces of porcelain to a wider study of the context of


                        production  and  consumption.  In  doing  so,  how  and  why  styles  changed  and  why

                        production sites shifted from one place to another can be better understood.


                            This thesis also aims to provide a different approach to studies of Chinese export

                        porcelain  trade.  This  research  does  not  attempt  to  revisit  what  has  already  been


                        accomplished for curatorship, connoisseurship and interested collectors. Nor does this

                        thesis  look  at  porcelain  from  the  point  of  view  of  individual  objects  or  from  the


                        perspective of the quantities exported; rather it looks at porcelain as a dynamic field

                        which was shaped by consumers, artisans, craftsmen and commercial networks. This


                        field involves complex interrelated social processes such as technological innovation,

                        consumption and global trade, which need to be studied in their connected contexts.















                        8    Shi  Jingfei,  Riyue  Guanghua,  Qinggong  huafalang  [Radiant  Luminance:  The  Painted
                        Enamelware of the Qing Imperial Court] (Taipei: The National Palace Museum, 2012), pp.161-
                        181. Xu Xiaodong, ‘Europe-China-Europe: The Transmission of the Craft of Painted Enamel in
                        the Seventeenth and Eighteenth Centuries’ in Maxine Berg (ed.), Goods from the East 1600-1800
                        Trading  Eurasia  (Basingstoke:  Palgrave  Macmillan  UK,  2015),  pp.92-106.  Xu  Xiaodong,
                        ‘Kangxi  Yongzheng  Shiqi  Gongting  yu  Difang  Huafalang  de  Hudong’  [The  technological
                        interactions  of  enamelled  porcelain  between  the  court  and  local  production  during  Kangxi,
                        Yongzheng reigns] in Dagmar Schäer (ed.), Gongting yu defang: shiqi yu shiba shiji de jishu
                                                       f
                        jiaoliu [The court and the localities-technological knowledge circulation in the 17th and 18th
                        centuries] (Beijing: Zijincheng Chubanshe, 2010), pp.277-336.
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