Page 40 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
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CHAPTER  1  Introduction


                        and costing 40 taels of silver. The service was commissioned by the Peers family and

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                        bears their family crest.   It was ordered by Charles Peers, Oxfordshire whose son,

                        also Charles Peers, worked for the English East India Company in Madras (1720-35)


                        and also traded privately. The Peers family also commissioned another larger, more

                        expensive Chinese armorial service in enamels with their full coat of arms, rather than

                        just the crest, as on this service, which was shipped directly to England on 8th January


                             49
                        1732.
                               Based on surviving EEIC records, this thesis uses a new approach to examine


                        the porcelain trade, focusing on how various types of porcelain played different roles

                        in the trade.






                         1.3.3. Enamelled Porcelain and Global History





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                        Since Robert Finlay’s study was first published in 1998,   another significant change
                        has taken place in the study of Chinese porcelain. The importance of porcelain is no


                        longer  only  explored  by  economic  historians  and  art  historians,  but  by  global

                        historians. Chinese porcelain, as a material culture for studies of global connections

                                                                                         51
                        in the pre-modern and early modern period, has become fashionable.   The history of

                        porcelain has proven useful for discussions of the development of a shared global




                        48   Howard, Chinese armorial porcelain, vol.1, p.174.
                        49    Pieces  from  this  service  are  collected  in  the  British  Museum,  two  soup  plates  in  the
                        Metropolitan Museum of Art, New York, a serving plate in the Royal Scottish Museum, Edinburgh
                        and two large serving dishes on loan from J.R. Peers at the Victoria and Albert Museum.
                        50   Robert Finlay, ‘The Pilgrim Art: The Culture of Porcelain in World History’, Journal of World
                        History, 9,2 (1998), pp.141-187. See also his more recent book, The Pilgrim Art: Cultures of
                        Porcelain in World History (Berkeley, 2010).
                        51 A brief summary on this subject see Anne Gerritsen and Stephen McDowall, ‘Global China:
                        Material Culture and Connections in World History,’ Journal of World History, 23, 1(2012), pp.3-
                        8.
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